Scapegoat Ecology: Blame,Exoneration, and an Emergent Genre in Environmentalist Discourse

This essay identifies and examines scapegoat ecology, an emergent genre in online environmental discourse. In scapegoat ecology, a public of environmentally minded individuals focuses attention and vitriol on a single person for being particularly harmful to the environment. This essay argues that such discourse deflects attention from more complex and systemic environmental factors and implicitly exonerates the broader community, assuring it of its own environmental commitments while excusing it from further ecological action. The essay describes the form and appeal of scapegoat ecology, then provides a series of illustrative case examples before highlighting the implications of such discourse for both environmental communication and broader social/political conversations.     

Reform,Justice, and Sovereignty: A Food Systems Agenda for Environmental Communication

Food ecologies and economies are vital to the survival of communities, non-human species, and our planet. While environmental communication scholars have legitimated food as a topic of inquiry, the entangled ecological, cultural, economic, racial, colonial, and alimentary relations that sustain food systems demand greater attention. In this essay, we review literature within and beyond environmental communication, charting the landscape of critical food work in our field. We then illustrate how environmental justice commitments can invigorate interdisciplinary food systems-focused communication scholarship articulating issues of, and critical responses to, injustice and inequity across the food chain. We stake an agenda for food systems communication by mapping three orientations—food system reform, justice, and sovereignty—that can assist in our critical engagements with and interventions into the food system. Ultimately, we entreat environmental communication scholars to attend to the bends, textures, and confluences of these orientations so that we may deepen our future food-related inquiries.     

Considering the Prospects of Immediate Resistance in Food Politics: Reflections on The Garden

In this essay, I offer reflections inspired by The Garden, a compelling film documenting the failed struggle of the South Central Farmers to maintain a lush 14-acre farm within an industrial, impoverished neighborhood of Los Angeles. I concentrate on diverse representations of resistance featured in the film, which range from the traditionally mediated to more immediate or material-rhetorical acts. Taking the lead of the South Central Farmers, I conclude that we (as scholars, teachers, and ethical people) may combat the corporate food system with a multifarious approach to social change.     

Non-timber forest products farming and empowerment of rural women in Ghana

United Nations estimates indicate that up to 70% of the world’s poor are female, and women in developing countries constitute the majority of the labour force, playing a key role in managing community resources and helping to improve food security and protect the environment. Increased attention in recent years has been focused on the potential role of non-timber forest products (NTFPs) in improving the incomes and health of women in developing countries. NTFPs farming and marketing are very critical for the economic empowerment of rural poor, particularly women. Despite this potential, the contribution of NTFPs farming to the empowerment of women remains largely undervalued and understudied. This paper examines the potential contribution of NTFPs farming in poverty reduction and livelihood improvement of women in Ghana using the Sefwi Wiawso District (SWD) and Bibiani-Bekwai District (BBD) in the Western Region of Ghana as a case study. The paper explores the contribution of NTFPs farming to the total annual income, acquisition of assets, health, and food security of women through participatory research methods. ANOVA and Pearson Correlation (p < 0.05) show that a significant association exists between total annual income of women, acquisition of assets, health, food security, and the income earned from NTFPs in the SWD and BBD. The study revealed that NTFPs can contribute significantly to the economic empowerment of women. The paper asserts that commercialisation of NTFPs will have a greater impact on women’s livelihoods and therefore any opportunity for increasing their involvement is very essential for the empowerment and sustainable development of rural communities in Ghana.     

Good Food,Good Intentions: Where Pro-sustainability Arguments Get Stale in US Food Documentaries

Focusing on recent documentaries about sustainable agriculture in the US—Food, Inc., The Garden, Fresh, and Farmageddon—this paper examines how pro-sustainable food arguments fail to merge environmentalism and environmental justice. By framing their approach to sustainable food production around the normative issue of “good food” for capitalist consumers, such documentaries ignore questions about community and cultural conceptions of farmers. In the process the films promote a problematic vision of the white family farm. As a consequence, these films limit a reimagining of alternative food systems, the roles for diverse actors within those systems, and possibilities for eaters beyond “voting with your fork.” Several exceptions, most notably The Garden, are used to suggest how cinema might radically re-envision participation in alternative forms of agriculture.     

Toxic Sublime: Imaging Contaminated Landscapes

This essay attempts to address the lack of critical analyses of images of toxins by examining the photography of landscape artists whose goal is to create a presence for contaminated sites. Imaging toxicity is no simple task as many pollutants are invisible and sites of contamination are concealed, especially for those of privilege. Contemporary artists who attempt this challenge are often criticized that the beauty of their images obfuscates the health and environmental risk of the polluted sites they photograph. In response, this essay introduces the concept of the toxic sublime as a means of analyzing the tensions arising from visual representations of environmental contamination: beauty and ugliness, magnitude and insignificance, the known and the unknown, inhabitation and desolation, security and risk. The essay charts the evolution of the sublime in the US, describing how it has evolved from sites of nature to sites of technology to human damaged landscapes, some of which produce a toxic sublime. Through a close examination of Manufactured Landscapes, a twenty-five year retrospective of the images of noted environmental photographer Edward Burtynsky, this essay extends our understanding of the invention of the sublime in images, reconceptualizes the sublime response to contaminated places, as well as adding to our knowledge of how visual texts function to encourage contemplation of the viewers’ position within a polluted world.     

Charismatic life: spectacular biodiversity and biophilic life writing

ABSTRACT

The essay uses the term “charismatic life” to describe representations of nature that emphasize vitality and vibrancy. Beginning with how life is reified when nature becomes spectacle, the essay discusses how a fetishism of life was part of the early structuring logic of biodiversity science in a way that undermined crafting other ethical and political responses to loss. When biodiversity emerged as a popular science concept in the 1980s, it was described as a scientific replacement for the sentimental attachment to charismatic megafauna that previously structured conservation priorities. But this essay argues, in a historicized reading of conservation biologist E.O. Wilson’s popular science memoir Biophilia [Wilson, E. O. (1984). Biophilia. Cambridge: Harvard University Press] alongside the seminal edited collection Biodiversity [Wilson, E. O. (Ed.). (1988). Biodiversity. Washington, DC: National Academy of Sciences], that Wilson’s sentimental biopolitics renders the world as if a collection of living souvenirs – tokens by which to remember forms of life that will have been lost.     

Politics of Edibility: Reconceptualizing Ecological Relationality

Taking the Infinity Burial Project (IBP) as its inspiration, this essay theorizes a politics of edibility by way of decomposing the discursive boundaries erected between human bodies and environments. In particular, this essay reads the IBP as a deconstruction of another dualism—eater/eaten—that permeates and informs cultural practices from birth to burial. Mobilizing a rhetoric of carnality, the IBP decomposes the human body's relation to its environments, merging its statuses as eater and eaten. At the same time, this rhetoric of carnality also emphasizes the irreducibly productive nature of consumption as an articulatory practice in its own right. As this essay argues, a politics of edibility not only recognizes the superficiality of the body/environment and eater/eaten dichotomies but it also respects the relations generated in the wake of their deconstruction.     

Land Community Participation: A New “Public” Participation Model

This essay presents a new “public” participation model that responds to contemporary participation problems. The author extends criticism of a false nature/culture dualism and responds to calls for pragmatic ways to expand participation to an expressive land community. The essay draws on existing scholarship that treats a range of direct to indirect forms of participation in environmental decision-making to argue for and explicate the land community participation model (LCP). The model features participation, power, and chronemics along three distinct and intersecting continua that bind and constitute participatory communication in environmental decision-making. Combining professional field experiences with rhetorical criticism, the author pilots the LCP model in a wilderness dispute resolution case study and suggests additional ways for using LCP as an interpretive guide and design tool in pursuit of environmental democracy.     

Acid sulfate soils and human health—A Millennium Ecosystem Assessment

Acid sulfate soils have been described as the “nastiest soils on earth” because of their strong acidity, increased mobility of potentially toxic elements and limited bioavailability of nutrients. They only cover a small area of the world's total problem soils, but often have significant adverse effects on agriculture, aquaculture and the environment on a local scale. Their location often coincides with high population density areas along the coasts of many developing countries. As a result, their negative impacts on ecosystems can have serious implications to those least equipped for coping with the low crop yields and reduced water quality that can result from acid sulfate soil disturbance. The Millennium Ecosystem Assessment called on by the United Nations in 2000 emphasised the importance of ecosystems for human health and well-being. These include the service they provide as sources of food and water, through the control of pollution and disease, as well as for the cultural services ecosystems provide. While the problems related to agriculture, aquaculture and the environment have been the focus of many acid sulfate soil management efforts, the connection to human health has largely been ignored. This paper presents the potential health issues of acid sulfate soils, in relation to the ecosystem services identified in the Millennium Ecosystem Assessment. It is recognised that significant implications on food security and livelihood can result, as well as on community cohesiveness and the spread of vector-borne disease. However, the connection between these outcomes and acid sulfate soils is often not obvious and it is therefore argued that the impact of such soils on human well-being needs to be recognised in order to raise awareness among the public and decision makers, to in turn facilitate proper management and avoid potential human ill-health.     

Narratives,Rhetorical Genres,and Environmental Conflict: Responses to Schwarze's “Environmental Melodrama”

The appearance of Steven Schwarze's essay, “Environmental Melodrama” (Schwarze, 2006) as the lead article in a recent issue of The Quarterly Journal of Speech marks an important moment of recognition for environmental communication scholarship. Schwarze's essay demonstrates how studies of environmental rhetoric can contribute to rhetorical theory more generally, while addressing practical questions regarding the rhetorical aspects of environmental conflict. The contributors to this forum respond to Schwarze's arguments, drawing in part upon their own case studies of rhetorical action and narrative in environmental conflict.     

“A Short Burst of Inconsequential Information:” Networked Rhetorics,Avian Consciousness,and Bioegalitarianism

This essay uses the concept of “avian consciousness” to reconsider assumptions about human communication and theorize networked rhetorics. By adopting an ornithomorphic frame, I critically read Don DeLillo's The Body Artist as an exploration of overlaps between human and avian consciousness. I then argue that avian consciousness provides a richer metaphor for understanding networked rhetorics than autistic consciousness, which is an increasingly dominant trope for explaining interaction with digitally networked media. I explore how Twitter, explicitly modeled on avian communication, can be understood as circulating information in ways analogous to the contact and assembly calls of birds. The essay concludes by noting that seeing avian features in human communication diminishes the perceived gap between human and nonhuman animal, holding out hope for a more bioegalitarian relationship between species.     

The Ecological Jeremiad,the American Myth,and the Vivid Force of Color in Dr. Seuss's The Lorax

This essay explores Dr. Seuss's The Lorax through a combination of contextual, visual and narrative-based criticism. Specifically, rhetorical forms of the jeremiad and myth are examined as adaptations to the medium of children's literature. In addition, the force of illustrated images is discussed, including the rhetorical force of color. The essay begins with a discussion of both Dr. Seuss and The Lorax within the contexts of the early environmental movement's rhetoric of alarm and political activism. It then outlines Seuss's attempt at “propaganda with a plot” arguing that a collision of the American myth and ecological jeremiad parallel and divert from the environmentalist norm. A detailed analysis of illustrated imagery and the function of color demonstrate the rhetorical force toward narration and ideology possible in the visual form.     

The Flood Myth in the Age of Global Climate Change

When released, The Day After Tomorrow was widely described by critics and the movie's creators as a pro-environmentalist film. This essay argues that The Day After Tomorrow articulates a variation of apocalyptic discourse identified as a flood myth. The authors conclude that this version of the flood myth largely undermines contemporary environmental discourse that attempts to generate public activism in addressing ecological problems, by replacing an emphasis on human efficacy with symbolic vindication and exchanging collective effort for individual survivalism. The film thus serves as a cautionary tale about the potential consequences of contemporary mythic discourse presented as supporting environmental activism.     

Vulnerability of Inuit food systems to food insecurity as a consequence of climate change: a case study from Igloolik, Nunavut

This paper develops a conceptual model to examine the vulnerability of Inuit food systems to food insecurity as a consequence of climate change. The model illustrates that food system vulnerability is determined by the exposure and sensitivity of the food system to climate-related risks and its adaptive capacity to deal with those risks. The model is empirically applied using a case study from Igloolik, Nunavut. Specifically, the paper focuses on how extreme climate-related conditions in 2006 interacted with the food system to affect food security, using 2006 as a lens to identify and characterize some of the processes and conditions shaping vulnerability, and establishing a baseline for identifying and characterizing processes that are likely to shape future vulnerability. There is a high level of adaptive capacity among Igloolik Inuit, with food sharing mechanisms, hunting flexibility, and store-food access moderating the impact of climatic-risks on food security. However, high fuel and commodity prices, the increasing economic burden of adapting to back-to-back years with unfavorable climatic conditions, underlying community vulnerabilities, and the nature to the climate extremes in 2006, overwhelmed the adaptive capacity of many community members. Those dependent on traditional foods and having limited access to financial resources were particularly vulnerable.     

Possible use of Lingula sp. (Phylum Brachiopoda) as a dissemination strategy to promote sustainable development in Fangchenggang mangrove,China

The economic marketability of a brachiopod, Lingula was studied at three coastal mangrove sites, specifically based on socioeconomic parameters from 10 villages that utilized Lingula along Pearl Bay, Beilun Estuary Marine Nature Reserve, China. The significantly highest density of Lingula was at Jiao Dong (48.2 ± 35.14 individual/m²) whereas the biomass of Lingula was highest (0.76 ± 0.22 g/individual) at Gui Lao Bu. The shell size of the largest specimen was still less than that in other references. The socioeconomic study of the population related to Lingula involved a small group, and no relationship could be determined among the parameters of age range, education level, occupation, and financial status. The total economic value (320,927.4 Yuan) was based on the value of consumption whereas the value from sales was very low as recorded from Shan Xin over a three-month season. Analysis of the results to determine strengths, weaknesses, opportunities, and threats was undertaken to identify the potential of Lingula sp. to be promoted and supported in the market as a novel source of income for the local community who are associated with mangrove resources; and also to examine its potential as a new food source for the rapidly growing population of China.     

Imaging Toxins

This essay examines how toxins are visually represented in news and popular media. More specifically, it analyzes the function of visual narratives, identity, place, and uncertainty in the construction of the controversial toxicant Agent Orange, a defoliant used by the US military during the Vietnam War to reduce jungle cover and destroy cropland causing devastating health and environmental effects. Toxins present an interesting challenge for visual construction in that they are often invisible and banal in their esthetics. The essay concludes with five observations for understanding the relationship between images and toxins.     

Combined influence of food level and inoculation density on competition between <Emphasis Type="Italic">Anuraeopsis fissa</Emphasis> and <Emphasis Type="Italic">Brachionus patulus</Emphasis> or <Emphasis Type="Italic">Brachionus macracanthus</Emphasis> (Rotifera: Brachionidae)

We tested separately the effect of two taxonomically related rotifers (B. patulus and B. macracanthus) on the population dynamics of another species (A. fissa) at low (0.5 ×10 ⁶) and high food levels (1.5 × 10⁶ cells/ml of Chlorella vulgaris) using different inoculation densities (0–100%). We also quantified the impact of A. fissa on the two brachionid species. Regardless of the presence of the competing species, an increase in the availability of food led to increase in the abundances of the three rotifers. The population growth of B. patulus, B. macracanthus, or A. fissa was affected negatively when cultured together with another species. An increase in the initial density of any one of the competing species became advantageous to maintain a certain population size. At a low algal food level, B. patulus was able to suppress A. fissa more strongly than B. macracanthus. On the other hand, at a high food level, B. macracanthus suppressed the population of A. fissa more strongly than B. patulus. Peak population densities for A. fissa varied from about 150 to 1000 ind./ml, depending on food density and the presence of competitors. The rate of population increase (r) of A. fissa, B. patulus, and B. macracanthus increased with an increase in food availability but decreased with increasing initial density of the competitor. Both Brachionus spp. experienced negative growth rates in the presence of A. fissa, especially at a high initial density of the latter. Published in Russian in Ekologiya, 2007, Vol. 38, No. 5, pp. 381–390. The article was submitted by the authors in English.     

Bordering Ecosystems: The Rhetorical Function of Characterization in Gray Wolf Management

Decisions about iconic species such as the wolf provide a key index of human–nature relations. The gray wolf's reintroduction in the USA has been controversial, particularly at the interface of state versus federal management. This essay analyzes discourse surrounding this controversy, focusing on how wolves are characterized as ecological and social actors in official correspondence and management plans. I interpret this textual evidence by drawing from social theory regarding sovereignty, discipline, and population, including studies on bordering practices imposed on humans. As with humans, bordering practices in the case of the wolf may illuminate how political forces impose physical and discursive limits upon mobile bodies motivated to move across political borders by powerful exigencies of need. The essay seeks to amplify understanding about how regimes of power enact difference from “others” whose presence strongly influences the health of ecosystems and economies.     

Whale Wars and the Axiomatization of Image Events on the Public Screen

The essay interrogates Animal Planet's television show Whale Wars, and the use of footage from that show in a commercial for one of the network's other shows, How Stuff Works, to examine the way these texts interact within the public screen. I argue that the (re)presentation of whale kill footage further instantiates an image event as a commodity and rhetorically reconciles the image event into a capitalist ideology counter to the social movement message constructed on Whale Wars—and by proxy allows the image event to play out only via a profit-motive tied to the death of the whale.