Soft song is a reliable signal of aggressive intent in song sparrows

Animals frequently use signals to modulate aggressive interactions. Establishing that a signal is aggressive or threatening requires demonstrating that it is more commonly used in agonistic contexts, that it predicts subsequent aggressive behaviors by the sender, and that receivers respond differently to this signal. Like many birds, song sparrows (Melospiza melodia) produce a low-amplitude “soft song” vocalization that has been hypothesized to be an aggressive signal. Soft song meets the first two criteria, but previous research has failed to demonstrate that soft song provokes aggression or that receivers even perceive soft song differently from normal loud song. We used a playback experiment with taxidermic mount presentation to test whether territorial male song sparrows respond differently to loud and soft song playbacks. Subjects reacted more strongly to the soft song playback by approaching the mount more closely, increasing wing wave displays, and increasing the proportion of their own songs that were soft songs, with further trends toward increasing the number of flights and attacks. These results confirm that soft song is a conventional signal of aggression in song sparrows and that increased receiver retaliation maintains its reliability.     

Bird song as a signal of aggressive intent

A central question in animal communication research concerns the reliability of animal signals. The question is particularly relevant to aggressive communication, where there often may be advantages to signaling an exaggerated likelihood of attack. We tested whether aggressive signals are indeed reliable signals of attack in song sparrows (Melospiza melodia). We elicited aggressive signaling using a 1-min playback on a male’s territory, recorded the behavior of the male for 5 min, and then gave him the opportunity to attack a taxidermic mount of a song sparrow associated with further playback. Twenty subjects attacked the mount and 75 did not. Distance to the speaker was a significant predictor of attack for both the initial recording period and the 1 min before attack. For the initial recording period, none of the measures of singing behavior that we made was a significant predictor of attack, including song-type matching, type-switching frequency, and song rate. For the 1-min period immediately before attack, only the number of low amplitude “soft songs” was a significant predictor of attack. Although most aggressive signals contained little information on attack likelihood, as some models suggest should be the case, the unreliability of these signals was not caused by convergence of individuals on a single signaling strategy, as those models argue should occur.     

Response of territorial male song sparrows to song types and variations

Summary The song repertoires of male song sparrows (Melospiza melodia) are comprised of distinct song types and many overlapping variations within each type. This study examines the sensitivity of territorial male song sparrows to both multiple song types and variation within types. A playback experiment was conducted using stimulus tapes that had either single songs (but not variations), song variations (but not types) or a single song. Response during playback was similar for all three stimulus groups, but diminished sooner after playback for the single-song tape. Thus our results indicate that male song sparrows are sensitive to song variability both within and among song types.     

Song repertoire size and female preferences in song sparrows

Summary Captive female song sparrows (Melospiza melodia), after treatment with estradiol, perform copulation solicitation displays when presented with songs of conspecific males. Females respond more strongly to eight song types than to four, and to sixteen song types than to eight. These results are consistent with the hypothesis that female song sparrows prefer large repertoires, rather than preferring normal or natural repertoire sizes (5 to 13 song types).The results with captive females might be taken to imply that females in the field prefer as mates those males with the largest repertoire sizes. This hypothesis was tested by observing pairing in a field population. In each of 2 years, there was no significant correlation between male repertoire size and date of initial pair formation. Furthermore, there was no correlation between repertoire size and the speed with which a second mate was acquired after removal of the first. It is concluded that repertoire size does not have an important influence on female choice of mates in song sparrows.     

Individual recognition of neighbors by song in a suboscine bird, the alder flycatcher Empidonax alnorum

The ability of territorial males to discriminate between songs of their neighbors and songs of strangers has been demonstrated in 27 species of songbirds. Such experiments test only the ability of a subject to discriminate between two classes of stimuli, familiar (neighbors) and unfamiliar (strangers) songs. Individual recognition of neighbors is a finer, more complex type of discrimination. The ability of territorial males to recognize individual neighbors by song has been documented in 12 species of oscine passerines (Passeriformes, Passeri), but has never been demonstrated in suboscine passerines (Tyranni). We investigated recognition of songs of individual neighbors in a suboscine, the alder flycatcher (Empidonax alnorum). We performed a series of song playback experiments and recorded responses of territorial males to songs of neighbors and songs of strangers broadcast from two locations, the neighbor boundary and an opposite boundary. Subjects responded more aggressively to songs of a neighbor when played from the opposite boundary than when played from the neighbor boundary. They responded with equal aggression to songs of strangers regardless of location of playback. The difference in response to neighbor songs between speaker locations and the lack of a difference in response to stranger songs indicate that territorial males associate a particular song with a particular location (territory), and thus recognize individual neighbors.Communicated by I. Hartley     

Responses to playback of whistle songs and normal songs in male nightingales: effects of song category, whistle pitch, and distance

In most species of song birds, males develop song repertoires of several different songs. Among this variety, different songs may be used differently in communication and, thus, may have different functions. Here we studied vocal responses to playback of structurally different songs in male territorial nightingales (Luscinia megarhynchos). Nightingales have enormous vocal repertoires of about 200 song types. Among these songs, one category, whistle songs, sticks out syntactically and acoustically. Here we tested whether or not male nightingales match whistle songs with whistle songs and, if so, whether they also match the pitch of the broadcast whistles. Furthermore, we also tested if nightingales treat whistle songs as a separate category of songs. We conducted interactive playback experiments on nocturnal song in which each male received three playback treatments that differed in the number of whistle songs broadcast. Males responded differently during playbacks by singing significantly more whistle songs when the playback tapes contained many whistle songs than when they contained no whistle songs. Males also frequently matched the pitch of the broadcast whistle songs. In contrast to responses during playback, after the playback terminated males sang more whistle songs when no whistle songs were broadcast than when many whistle songs were broadcast. These findings suggest that whistle songs have a specific signal value and that nightingales treat them as a special song category. Electronic supplementary material to this paper can be obtained by using the Springer Link server located at http://dx.doi.org/10.1007/s00265-002-0511-1.     

Responses of song sparrows to song-type matching via interactive playback

The aggressive and singing responses of ten territorial male song sparrows, Melospiza melodia, to sustained song-type matching via interactive playback were examined. This auditory stimulus, which involves both synchronous switching and song-type matching, was hypothesized to be a strong aggressive threat. Responses were compared to five other trial types in which the switching pattern and song-type similarity were independently varied. The six trial types were organized into a factorial design with three switching levels (no switching, synchronized switching, and rapid unsynchronized switching) and two matching levels (shared song-types and unshared song-types). The aggressive response of the birds, a composite index of the correlated behaviors of singing rate, perch change rate, and time spent close to the speaker, showed significant main effects of both the switching and the matching factors, with no interaction effect. The response was highest for the shared/unsynchronized switching trial and lowest for the unshared/no switching trial. Since the synchronous switching trials produced aggressive responses intermediate between the no switching and rapid unsynchronized switching trials, our results corroborate earlier studies showing that switching rate, song-type diversity and song similarity are the key determinants of aggressive approach. However, the switching rate of the focal birds during playback was not correlated with the other response variables and showed a very different pattern from the aggressive response. Switching rate increased during unshared/synchronized trials and decreased during shared/synchronized (i.e., song-type matching) trials. The tendency of the birds to refrain from switching when they were song-type matched by playback led to long bouts of matched-type countersinging. These results suggest that song-type matching locks two countersinging birds into a new level of interaction in which information other than aggressive motivation exchanged.     

Recognition of individual neighbors by song in the song sparrow,a species with song repertoires

Summary Previous theory and research have suggested that bird species with song repertoires in general, and song sparrows (Melospiza melodia) in particular, cannot readily discriminate between the songs of neighbors and strangers. In a recent study (Stoddard et al. 1991) we showed that song sparrows can in fact discriminate neighbors from strangers on the basis of song. In this study we sought to demonstrate that song sparrows can make the finer discrimination between individual neighbors and that they can do so on the basis of a single song type. We compared the response of territorial males to song playback of neighbors and strangers at three locations: the neighbor's regular boundary, the opposite boundary, and the center of the territory. The birds showed strong neighbor-stranger discrimination at the regular boundary but not at the opposite boundary, nor in the center of the territory. The differences in song discrimination between different boundary locations indicate that song sparrows associate particular songs with particular territories, effectively discriminating between individual neighbors on the basis of song. Song repertoires themselves do not interfere with neighbor recognition to the extent originally postulated. As speakers are moved inside the territory from the border, however, the degree of discrimination diminishes. We believe that differences in speaker placement may have contributed to the variability in neighbor-stranger discrimination observed in previous studies of the song sparrow and perhaps other repertoire species as well. This interpretation is consistent with data from another song sparrow population showing that half the territory takeovers are by immediate neighbors.     

Singing onstage: female and male common nightingales eavesdrop on song type matching

In bird communication, listening individuals may obtain information on the quality and motivation of a male not only from solo-singing, but also from song interactions and listeners base their future decisions in territorial and mating contexts on such public information. Eavesdropping on male interactions may thus have a strong influence on sexual selection. In singing interactions, temporal coordination (e.g. overlapping vs. alternating) of two singers as well as structural interaction patterns (e.g. song type matching or repertoire matching) have been described, but the latter is far less studied. By conducting dual-speaker playback experiments with common nightingales Luscinia megarhynchos, we simulated an interaction where one singer was repeatedly song–type matching his counterpart. Playbacks were broadcast to male and female nightingales, and their approach behaviour and singing responses (in the case of male focals) were analysed. We found that both, males and females, spent more time with the matched bird, whereas males additionally sang more songs towards the matching bird. This can be taken as strong hint that eavesdropping occurs in nightingale communication and that listening to male vocal contests might be an important strategy for both sexes to adjust their behavioural output. With regard to the function of song matching, we assume that song-matching is not an aggressive signal per se in nightingales. We rather conclude that vocal leaders within an interaction, here the matched bird, may elicit stronger responses in conspecifics than vocal followers, here the matching bird.     

Is bird song a reliable signal of aggressive intent? A reply

We advocate assessing the reliability of signals of aggressive intent by eliciting aggressive signaling from a subject, giving the subject an opportunity to attack a model, and testing whether the subject’s displays predict a subsequent attack. Using this design, we found that most singing behaviors are poor predictors of attack in song sparrows (Melospiza melodia). Laidre and Vehrencamp (Behav Ecol Sociobiol, DOI 10.1007/s00265-007-0539-3, 2008) suggested altering our experimental design to make the model more realistic; it remains to be seen whether such design changes would change the association between display and attack. Laidre and Vehrencamp (Behav Ecol Sociobiol, DOI 10.1007/s00265-007-0539-3, 2008) also suggested that the reliability of soft song, the one display that predicts attack in song sparrows, can be explained by a vulnerability cost. We question the rationale for a vulnerability cost for this display and suggest instead that soft song has a competing functions cost, in that, by using soft song to counter an intruder, a male sacrifices other possible functions of vocal signaling.     

Use of the song repertoire in intersexual and intrasexual contexts by male red-winged blackbirds

Summary Live and stuffed male and female red-winged blackbirds (Agelaius phoeniceus) were presented to territorial males in order to study the repertoire organization of males during intersexual and intrasexual encounters. Territorial male red-winged blackbirds switched song types more frequently and sang more song types in response to presentation of a female stimulus than during control periods, but decreased their switching frequency when a male stimulus was presented. Switching frequency in response to the female stimulus was three times that in response to the male stimulus. These results support the hypothesis that song repertoires of male red-winged blackbirds evolved primarily in response to intersexual rather than intrasexual selection. They also suggest that male red-winged blackbirds have been selected to de-emphasize their song repertoires during encounters with conspecific males as a result of some as yet unidentified cost. Offprint requests to: W.A. Searcy     

Female response to song reflects male developmental history in swamp sparrows

One explanation for why female songbirds attend to male song is that the quality of a male's song is associated with the quality of his developmental history. We tested this hypothesis by playing back to female swamp sparrows (Melospiza georgiana) songs recorded from males of either inferior or superior developmental histories, as assessed by their rates of mass gain during the first 18 days post-hatching. Females showed significantly higher levels of courtship display in response to songs of males with superior growth than to songs of males with inferior growth. Out of nine song traits measured, only song duration correlated with variation in female response; duration was also the only trait that differed significantly in univariate comparisons between the superior growth songs and the inferior growth songs. In a multivariate analysis, however, inferior growth songs were best discriminated from superior growth songs by combining three song traits: trill rate, stereotypy, and the number of notes per syllable. We suggest that early developmental stress degrades song in many small ways, and that it is the cumulative effect of the resulting deficits that explains lower female response.     

Divergence in female calling song discrimination between sympatric and allopatric populations of the southern wood cricket Gryllus fultoni (Orthoptera: Gryllidae)

Two species of closely related wood cricket, Gryllus fultoni (Orthoptera: Gryllidae) and Gryllus vernalis, occur together in some parts of the eastern United States and have a similar calling song structure, consisting of three-pulse chirps. A previous study revealed that chirp rate in G. fultoni was highest (greatest difference vis-à-vis chirp rate in G. vernalis) in sympatric populations, intermediate in near allopatric populations that were located close to the sympatric zone, and lowest in allopatric populations. A similar trend was observed in pulse rate, but the mean values of this trait showed much more convergence than chirp rate at the low end of the range of calling temperatures. In this study, we investigated the song discrimination of females from sympatric and allopatric populations of G. fultoni at about 23°C, which is near the middle of the normal range of calling temperatures. We used both single-stimulus and two-stimulus playback experiments to learn if geographical differences in song preferences paralleled those in calling songs. Stimuli presented were representative of calling songs in three classes of G. fultoni populations (sympatric, near allopatric, and far allopatric), a calling song of G. vernalis, and three calling songs with parameter values that were intermediate with respect to those of the songs of far allopatric G. fultoni and G. vernalis. In the single-stimulus playbacks, females of all G. fultoni populations responded poorly if at all to the heterospecific stimulus. Females of sympatric and near allopatric populations responded poorly to all intermediate stimuli, but females of far allopatric populations frequently responded to these sounds. In the two-stimulus playbacks, females of sympatric and near allopatric populations generally discriminated against intermediate and heterospecific stimuli. However, females of far allopatric populations often did not discriminate against intermediate stimuli, whose characteristics resembled the calling songs of G. vernalis. The divergent pattern of female phonotactic discrimination between sympatric and far allopatric populations was thus generally congruent with the pattern of divergence in chirp and pulse rates and would be expected to significantly reduce heterospecific mating in sympatry. These geographical patterns of female song discrimination and male calling songs conform to a commonly used definition of reproductive character displacement.     

Female aggressive response and hormonal correlates—an intrusion experiment in a free-living passerine

The optimal mating system is rarely the same for males and females—whereas males usually benefit from attracting additional females to the territory, this could incur costs for the resident female. Females should therefore prevent prospecting females from settling on the territory. We studied the male and female behavioral and hormonal responses to simulated female territorial intrusions in free-living bluethroats during the pre-laying period. In the study population, polygyny occurs with potential fitness costs for the resident female. We recorded different aspects of aggressive behavior before and after presentation of a live female decoy and playback of female song. These behaviors were compared with a set of intrusions using a male decoy. At the end of a trial, the birds were captured, and blood samples were analyzed for androstenedione, testosterone, estradiol and corticosterone. During the pre-intrusion period, none of the females were observed. Females generally responded strongly to the female decoy by increased flight rate, vocalizations, and by conspicuous perching. Nearly half of the males displayed to the female decoy but never while the resident female was present. We suggest that resident female aggression in bluethroats prevents courtship by her mate and signals her mating status to the female intruder. Female aggression could therefore prevent additional females to settle on the territory and shape the mating system. Females that responded with song had higher levels of estradiol. These findings suggest that estradiol may support aggression in breeding female birds.     

Effects of different levels of song overlapping on singing behaviour in male territorial nightingales (Luscinia megarhynchos)

In signalling interactions, animals can directly address information to a specific individual. Vocal overlapping is such a signalling strategy used in songbirds, anurans, and insects. In songbirds, numerous studies using high rates of song overlap to simulate an escalating situation have shown that song overlapping is perceived as a threatening signal by interacting and by listening (eavesdropping) individuals, indicating a high social relevance of song overlapping. Here we present a playback experiment on nocturnally singing male territorial nightingales (Luscinia megarhynchos). Using three different rates of song overlap (1, 25, or 50%), we tested whether or not lower levels of song overlapping act as a signal of aggressive intent and if birds would increase the intensity of their response with increasing level of song overlapping. Subjects did not vary song duration in response to the different playback treatments but increasingly interrupted their singing with increasing overlap by the three playback treatments. The effects persisted even after the playback ceased to overlap and switched to an alternating singing mode. These results expand on previous studies by showing that song overlapping is interpreted as an aggressive signal even when it is used at low or moderate levels. They suggest that, within the range tested here, increasing levels of song overlapping are perceived to be increasingly aggressive.     

Song sharing in two populations of song sparrows (Melospiza melodia)

Sharing song types with immediate neighbors is widespread in birds with song repertoires, and sharing songs may confer a selective advantage in some cases. Levels of song sharing vary between different geographical populations of several bird species, and ecological differences often correlate with differences in singing behavior; in particular, males in migratory subspecies often share fewer songs than males in resident subspecies. The song sparrow (Melospiza melodia) appears to fit this pattern: resident song sparrows in western North America generally share 20–40% of their repertoire (of about eight songs) with each neighbor, while migratory subspecies from eastern North America often share 10% or less. We compared song sharing in two populations within a single subspecies of song sparrow (M. m. morphna) in Washington State. These populations, separated by only 120 km, nonetheless differ in migratory tendencies and several other ecological and life history variables. We recorded complete song repertoires from 11 male song sparrows in a high-elevation, migrating population at Gold Creek in west-central Washington, and compared them to two samples (n = 15 and n = 36) from a coastal, resident population at Discovery Park, Seattle, Washington. Despite major differences in habitat, population density, and migratory tendencies, song sharing among Gold Creek males was as high as that among Discovery Park males. In both populations, sharing was highest between immediate neighbors, and declined with distance. We conclude that at the within-subspecies level, neither migration nor population density affect song sharing in song sparrows, a song repertoire species. Received: 26 November 1998 / Received in revised form: 1 May 1999 / Accepted: 29 May 1999     

Neighbours, strangers and male-male aggression as a determinant of lek size

Interactions between males on leks may play an influential role in lek formation and the regulation of lek size. In this paper I present the results of a playback experiment that simulated de novo settlement at sites adjacent to currently existing display territories of the ochre-bellied flycatcher, Mionectes oleagineus. In the study population, males displayed both solitarily and at small leks. A large proportion of males held no display territory at all. A stranger's song was played to both solitary and lekking males from 10 m outside their territorial boundaries. In separate playbacks, lekking males were also played neighbour's song. Both lekking and solitary territorial males reacted to the playback by decreasing their song rate, approaching the playback speaker and, on occasion, attacking the model. Solitarily displaying males responded more aggressively to playback of stranger's song than did lek males. Lek males were able to distinguish between their neighbour's and a stranger's song and did so irrespective of whether it was played from the neighbour's territory or from outside the lek. In addition to distinguishing between neighbours and strangers, lek males modified their responses to these different playbacks depending on where the playback originated. These results suggest that male-male interactions can be influential in structuring leks. In M. oleagineus, interactions between males are aggressive and act to limit rather than augment lek size. Received: 6 March 1996 / Accepted after revision: 9 December 1996     

An experimental investigation of the bioacoustics of cowbird song

Summary Female cowbirds (Molothrus ater ater), maintained in isolation from males during the breeding season, respond to the playback of male song with copulatory postures. They respond to some songs more than to others. Cowbird song potency can thus be operationally defined by the proportion of copulatory postures a song elicits across multiple playbacks. The purpose of the present study was to explore whether song potency changes with distance in the field. No field recordings elicited high levels of responding by the females. When songs of known high potency are systematically degraded, the results indicate that female cowbirds are sensitive to small changes in signal to noise ratio and to atmospheric attenuation. The data suggest that cowbird song potency degrades very rapidly with transmission distance in the field.     

Culturally correct song dialects are correlated with male age and female song preferences in wild populations of brown-headed cowbirds

Variation in vocal behavior among local populations of songbirds may be significant to females in mate choice. In a study of dialect populations of brown-headed cowbirds, estradiol-implanted females from two dialects held the pre-copulatory lordosis posture longer in response to playback of the local flight whistle song than to foreign whistle types from adjacent and more distant dialects. Females were held in captivity for a relatively brief period prior to testing and received no tutoring so discrimination was based solely on experience in the wild. This is the first study to show evidence of discrimination by female cowbirds based on flight whistle type. Evidence is presented from one of the study dialects that the majority of yearling male cowbirds are vocally distinct from resident adults in having either foreign or incomplete local whistles. Although these yearlings are fully mature sexually, they have little or no mating success. The correlation between female whistle preference and male mating success suggests that the ability to give the correct local whistle type may be a characteristic used by females to assess age and quality of a potential mate. A learned female preference for the predominant local song type may be a factor in the stability of these dialects by making it adaptive for males to conform to the local dialect.     

Song type variants and aggressive context

We asked whether switching among song type variants functions as a graded signal of aggression in song sparrows (Melospiza melodia). Song type variants are different versions of a given song type and are defined by much smaller acoustic differences than those defining separate song types. The principal evidence that switching between song types functions as an aggressive signal, in song sparrows and other species, is that song type switching frequencies increase during aggressive contexts, for example during simulated territorial intrusions. We tested whether variant switching frequencies change in the same way, using playback of conspecific song to simulate intrusions. Male song sparrows showed a significant increase in variant switching frequencies during intrusion relative to before intrusion. After intrusions, variant switching frequencies returned to pre-intrusion levels. These results are consistent with the hypothesis that variant switching is a graded aggressive signal, but other interpretations are possible, for example, that variant switching is a signal of submission or represents simple production error. Received: 20 January 2000 / Revised: 15 July 2000 / Accepted: 30 July 2000