Use of the song repertoire in intersexual and intrasexual contexts by male red-winged blackbirds

Summary Live and stuffed male and female red-winged blackbirds (Agelaius phoeniceus) were presented to territorial males in order to study the repertoire organization of males during intersexual and intrasexual encounters. Territorial male red-winged blackbirds switched song types more frequently and sang more song types in response to presentation of a female stimulus than during control periods, but decreased their switching frequency when a male stimulus was presented. Switching frequency in response to the female stimulus was three times that in response to the male stimulus. These results support the hypothesis that song repertoires of male red-winged blackbirds evolved primarily in response to intersexual rather than intrasexual selection. They also suggest that male red-winged blackbirds have been selected to de-emphasize their song repertoires during encounters with conspecific males as a result of some as yet unidentified cost. Offprint requests to: W.A. Searcy     

Females alter their song when challenged in a sex-role reversed bird species

Birdsong serves to attract mates and to deter territorial rivals. Even though song is not restricted to males, this dual function has almost exclusively been demonstrated for male song. To test the generality of hypotheses on birdsong, we investigated female song in the sex-role reversed, classically polyandrous African black coucal (Centropus grillii) in the context of female–female competition. We compared spontaneously vocalizing females with females vocally responding to a playback simulating a conspecific intruder. Females changed vocal parameters in response to playbacks: They lowered the pitch of their vocalizations and enhanced the duration of song elements when being challenged. Also, the composition of the vocalizations was altered. There was no significant correlation between pitch and body size parameters in spontaneous song, but there was for response songs, with larger females having a lower pitch. These changes in vocal properties suggest that the vocalizations are important for mutual assessment of competitive abilities in females. Our findings confirm the general role of intrasexual competition in vocal communication of birds.     

Social influences on territorial signaling in male greater sac-winged bats

Acoustic territorial displays are common among birds but comparatively rare among mammals. An exceptionally vocal mammal well-known for its elaborate territorial displays is the polygynous greater sac-winged bat, Saccopteryx bilineata. Male S. bilineata are often philopatric and establish small territories in their birth colony in which females can roost during the day. During territorial defense, males produce complex territorial songs that are learned through vocal imitation. Territorial songs are mainly produced at dawn and dusk. We studied social influences on male vocal activity and the occurrence of vocal signatures in territorial songs of 27 male S. bilineata from 12 different-sized colonies in Panama. Males produced significantly more territorial songs when they had more territorial neighbors or when they had females roosting in their territories, indicating that male vocal activity rises with increasing male–male competition. Territorial songs are multisyllabic vocalizations with low-frequency buzz syllables being most prominent. We found statistical evidence for a pronounced individual signature encoded in the buzz syllables of territorial songs that could facilitate individual recognition among rival neighbors. Additionally, we found a vocal group signature in territorial songs, suggesting that young males may learn territorial songs from more than one tutor male. Resident male S. bilineata appear to cooperatively defend their colony against male intruders, making a group signature in territorial songs potentially advantageous.     

Land or lover? Territorial defence and mutual mate guarding in the crimson-breasted shrike

Crimson-breasted shrikes produce duets which are used in interactions with neighbours and intruders. We examined two major hypotheses explaining duetting, the territorial defence and mate guarding hypotheses, using playback experiments. The responses of 12 pairs towards solo male, solo female and stereo duet playback were analysed using principal component analysis and ANOVA. The measures of response intensity revealed in most cases highly coordinated responses of the pair partners. Although these joint responses could suggest cooperative territorial defence or mutual mate defence, responses to the treatments differed between males and females in terms of three variables. Females increased their answer rates significantly in response to unpaired female intruders, compared to unpaired male intruders. During duet playback, females directed their responses equally at both intruding pair members. In contrast, males were equally responsive towards unpaired male intruders and intruding pairs, but in the latter case directed their responses at the male pair member. In the presence of unpaired female intruders, males increased their solo song rates, but in the presence of intruding pairs, they increased overlapping rates and duetted with their mates. These divergent responses suggest that females use duets for mate guarding against unpaired females, whereas males use solo songs for mate guarding and both solos and duets in territorial defence.     

Responses to playback of whistle songs and normal songs in male nightingales: effects of song category, whistle pitch, and distance

In most species of song birds, males develop song repertoires of several different songs. Among this variety, different songs may be used differently in communication and, thus, may have different functions. Here we studied vocal responses to playback of structurally different songs in male territorial nightingales (Luscinia megarhynchos). Nightingales have enormous vocal repertoires of about 200 song types. Among these songs, one category, whistle songs, sticks out syntactically and acoustically. Here we tested whether or not male nightingales match whistle songs with whistle songs and, if so, whether they also match the pitch of the broadcast whistles. Furthermore, we also tested if nightingales treat whistle songs as a separate category of songs. We conducted interactive playback experiments on nocturnal song in which each male received three playback treatments that differed in the number of whistle songs broadcast. Males responded differently during playbacks by singing significantly more whistle songs when the playback tapes contained many whistle songs than when they contained no whistle songs. Males also frequently matched the pitch of the broadcast whistle songs. In contrast to responses during playback, after the playback terminated males sang more whistle songs when no whistle songs were broadcast than when many whistle songs were broadcast. These findings suggest that whistle songs have a specific signal value and that nightingales treat them as a special song category. Electronic supplementary material to this paper can be obtained by using the Springer Link server located at http://dx.doi.org/10.1007/s00265-002-0511-1.     

The behavioral regulation of monogamy in gibbons (Hylobates muelleri)

Summary Responses of mated individuals to playbacks of the songs of solitary females and males permit evaluating the behavioral mechanisms maintaining monogamy in gibbons. When female songs are played back from the centers of their ranges, mated female gibbons typically initiate duets and group approaches toward playback sites. Female songs played back from range boundary locations elicit duetting responses. Responses to solitary female songs do not differ from responses to song duets used by established mated pairs to mediate patterns of intergroup spacing. Mated males lead silent group approaches toward the sites of male song playbacks. These results suggest that range defense by female gibbons forces males into accepting monogamous mating relationships and that monogamy in gibbons is regulated by intersexually-supported, intrasexual aggression.     

Habitat-induced changes in song consistency affect perception of social status in male chickadees

The ability of male black-capped chickadees to maintain consistent internal structure between successive iterations of their songs is affected by both their social rank and the quality of their habitat. Lab studies reveal that female chickadees discriminate between songs of dominant and subordinate males, which vary in acoustic structure. We investigate whether males also rely on acoustic structure to assess rival quality during agonistic interactions, and whether habitat-induced differences in song consistency affect the perception of male rank. We conducted a playback experiment to simulate territorial intrusions by dominant, stimuli males into the territories of dominant, subject males; stimuli males were recorded either in low-quality (young forest) or high-quality (mature forest) habitats. Stimuli from low-quality habitat had lower song consistency than those from high-quality habitats, despite being recorded from males of equivalent social rank. Subject males for playbacks (also socially dominant males) were chosen from either habitat type. Subject males in mature forest responded less to young-forest stimuli compared to mature-forest stimuli, despite the stimuli in both cases being recorded from dominant males. Conversely, male subjects in young forest did not differentiate between stimuli, but their response to both stimuli was lower than that of mature-forest subject males to mature-forest stimuli. We demonstrate that the ability to maintain internal song structure in the black-capped chickadee constitutes a signal that appears to be used by males to assess the level of threat of intruders, and that this perception is affected by habitat from which the stimulus males were recorded.     

Female response to song reflects male developmental history in swamp sparrows

One explanation for why female songbirds attend to male song is that the quality of a male's song is associated with the quality of his developmental history. We tested this hypothesis by playing back to female swamp sparrows (Melospiza georgiana) songs recorded from males of either inferior or superior developmental histories, as assessed by their rates of mass gain during the first 18 days post-hatching. Females showed significantly higher levels of courtship display in response to songs of males with superior growth than to songs of males with inferior growth. Out of nine song traits measured, only song duration correlated with variation in female response; duration was also the only trait that differed significantly in univariate comparisons between the superior growth songs and the inferior growth songs. In a multivariate analysis, however, inferior growth songs were best discriminated from superior growth songs by combining three song traits: trill rate, stereotypy, and the number of notes per syllable. We suggest that early developmental stress degrades song in many small ways, and that it is the cumulative effect of the resulting deficits that explains lower female response.     

Songs of isolation-reared sparrows function in communication,but are significantly less effective than learned songs

Summary Songs of male song sparrows (Melospiza melodia) and swamp sparrows (M. georgiana) isolated before hatching from conspecific song were played to males and females of both species. Isolate songs of these sparrows resemble natural conspecific song in several aspects of gross structure, but differ from natural song in note structure. Male territory owners of both species responded more to conspecific isolate song than to heterospecific normal song. Captive females of both species, previously treated with estradiol, courted in response to isolate song but not to heterospecific song. We conclude that there is sufficient speciesspecific information in isolate song of both species to allow a degree of normal function. To assess the importance of the structural refinements added through learning, we compared response to isolate and natural conspecific songs. Male territory owners and captive females responded more to natural than to isolate songs in both species. Learning thus significantly increases the potency of song in both intersexual and intrasexual communication.     

Playback and speaker-replacement experiments on song-based neighbor,stranger, and self discrimination in male Red-winged Blackbirds

Summary Two experiments were conducted to deterine whether territorial male Red-winged Blackbirds discriminate among neighbor, stranger, and self songs. In the first experiment, recordings of the three classes of songs were played to territorial males. Responses to playback of stranger song, as measured by song rate, intensity of Song Spread display, and closest approach, were significantly stronger than to playback of neighbor song. In addition, stranger song elicited significantly more intense Song Spread displays than did self song.In the second experiment, territorial males were removed from their territories and each was replaced with speakers broadcasting recorded songs of a stranger, and of the removed male. Broadcasts of the removed male's own songs were more effective in discouraging trespassing by neighboring male redwings than were broadcasts of songs of a stranger. However, the two broadcasts did not differ in their ability to deter nonneighboring male redwings from flying through or trespassing within the speaker territory.We suggest that neighbor-stranger discrimination in the Red-winged Blackbird develops as a consequence of associative learing.     

Female and male serins (Serinus serinus) respond differently to derived song traits

We tested if male or female behavior towards manipulated song indicates intra- or inter-sexual selection of two characteristics of serin song that are extreme and evolutionarily derived in this species: high frequency and fast syllable rate. In a first experiment, we monitored vocal responses and attendance to song playbacks. Female behavior indicated a preference for high-frequency song and suggested an aggressive function for fast syllable rates, as fast songs inhibited vocal response. Males did not show discrimination of frequency or syllable rate with this experimental design. The second experiment used a simple approach/no approach design, and in this experiment, males showed stronger discrimination between stimuli than did females. Therefore, sex differences in discrimination appear not to result from differences in perceptual abilities but from differences in the context of stimulus presentation. The second experiment also supported a role of song frequency in female choice, as the effect of frequency was limited to females: males did not respond differently to song frequency and approached high-frequency songs less than females did. Results of this experiment also supported an aggressive function for fast syllable rates, as the effect of fast songs did extend to male behavior. Taken together, our results indicate that the high frequency and fast syllable rate of serin song cannot result from a single selection process: while high frequency may have evolved by inter-sexual selection, syllable rate provokes a pattern of response that is more consistent with intra-sexual selection.     

Territoriality and monogamy among agile gibbons (Hylobates agilis)

Summary I simulated territorial intrusions by mated pairs, solitary males and solitary females through song playback to investigate the behaviors that agile gibbons (Hylobates agilis) use to maintain territoriality and monogamy. Mated male and female gibbons approached and duetted in response to a simulated territorial intrusion by a neighboring group. Strange solitary females elicited similar approach and singing responses from mated pairs. In contrast, the simulated presence of a solitary male consistently evoked approaches by mated males only. Females and males did not contribute equally to pair movements or to answering songs; males led the majority of approaches, while females initiated all duets. I hypothesize that carrying small, vulnerable infants may inhibit females from leading approaches. These results are consistent with previous studies which suggest that female territoriality prevents male gibbons from becoming polygynous.     

Singing onstage: female and male common nightingales eavesdrop on song type matching

In bird communication, listening individuals may obtain information on the quality and motivation of a male not only from solo-singing, but also from song interactions and listeners base their future decisions in territorial and mating contexts on such public information. Eavesdropping on male interactions may thus have a strong influence on sexual selection. In singing interactions, temporal coordination (e.g. overlapping vs. alternating) of two singers as well as structural interaction patterns (e.g. song type matching or repertoire matching) have been described, but the latter is far less studied. By conducting dual-speaker playback experiments with common nightingales Luscinia megarhynchos, we simulated an interaction where one singer was repeatedly song–type matching his counterpart. Playbacks were broadcast to male and female nightingales, and their approach behaviour and singing responses (in the case of male focals) were analysed. We found that both, males and females, spent more time with the matched bird, whereas males additionally sang more songs towards the matching bird. This can be taken as strong hint that eavesdropping occurs in nightingale communication and that listening to male vocal contests might be an important strategy for both sexes to adjust their behavioural output. With regard to the function of song matching, we assume that song-matching is not an aggressive signal per se in nightingales. We rather conclude that vocal leaders within an interaction, here the matched bird, may elicit stronger responses in conspecifics than vocal followers, here the matching bird.     

How a songbird with a continuous singing style modulates its song when territorially challenged

In songbirds of the temperate zone, often only males sing and their songs serve to attract females and to deter territorial rivals. In many species, males vary certain aspects of their singing behavior when engaged in territorial interactions. Such variation may be an honest signal of the traits of the signaler, such as fighting strength, condition, or aggressive motivation, and may be used by receivers in decisions on whether to retreat or to escalate a fight. This has been studied intensively in species that sing discontinuously, in which songs are alternating with silent pauses. We studied contextual variation in the song of skylarks (Alauda arvensis), a songbird with a large vocal repertoire and a continuous and versatile singing style. We exposed subjects to simulated territorial intrusions by broadcasting conspecific song and recorded their vocal responses. We found that males sing differently if they are singing spontaneously with no other conspecific around than if they are territorially challenged. In this last case, males produced lower-frequency syllables. Furthermore, they increased the sound density of their song: they increased the proportion of sound within song. They seem to do so by singing different elements of their repertoire when singing reactively. Furthermore, they increased the consistency of mean peak frequency: they repeated syllable types with less variability when singing reactively. Such contextual variation suggests that skylarks might use low frequencies, sound density, and song consistency to indicate their competitive potential, and thus, those song features might be important for mutual assessment of competitive abilities.     

Vocal and visual stimuli enabling copulation behavior in female buntings

Summary The loud and elaborate songs of male songbirds are throught to serve in territorial defense and to stimulate reproductive behavior in the female. We report here that in contrast to several other species, song alone is inadequate to induce sexual (lordosis) behavior in female indigo and lazuli buntings (Passerina cyanea and P. amoena); they require a more elaborate stimulus configuration to develop the full expression of sexual receptivity as indicated by a stereotyped copulation solicitation display. A live male must be present near the female, singing must ensue, and in addition a second and unique vocal utterance must be heard by the female; this is a soft buzzy-sounding vocalization, audible for no more than a few meters, not recognized previously as a critical arousal signal of the male songbird repertoire. Females also utter similar soft sounds in an intimate vocal exchange with the male leading to solicitation of copulation.     

Do male plumage and song characteristics influence female off-territory forays and paternity in the hooded warbler?

Extra-pair fertilizations are common in many socially monogamous species, and paternity studies have indicated that females may use male vocal performance and plumage ornaments as cues to assess male quality. Female off-territory forays may represent a key component of female choice and male extra-pair mating success, and female foray behaviour is expected to be strongly influenced by indictors of male quality. In this study, we examined how male song and ornamentation affect how often females left their territories, which males they visited and extra-pair paternity in a socially monogamous passerine, the hooded warbler (Wilsonia citrina). We radiotracked 17 females during the fertile period and quantified male vocal performance (song output and rate) and plumage characteristics (size of the black melanin hood and colour of the black hood, yellow cheeks and breast areas). We obtained blood samples and determined paternity at 35 nests including those of 14 females that we radiotracked. Eleven (65%) of the 17 females forayed off-territory, whilst fertile and female foray rate was positively correlated with the number of extra-pair young in the nest. Females that left their territories more frequently were paired with males that sang at a low rate. In addition, extra-pair mates had higher song rates than the social mates they cuckolded (5.3 songs/min vs. 4.4 songs/min). Female off-territory forays or extra-pair paternity were not significantly related to male plumage characteristics. Our results indicate that a high song rate influences both the foray behaviour of a male’s social mate and the likelihood that he will sire extra-pair offspring with neighbouring females.     

Bachelor and paired male rufous-and-white wrens use different singing strategies

To attract a breeding partner, males may behave differently when they are bachelors compared to when they are paired. Comparisons between groups of paired males versus groups of unpaired males in temperate-breeding animals have revealed such differences in signalling behaviour. Few studies, however, have explored how individual males alter their signalling behaviour with changes in pairing status, and very few investigations have explored paired versus unpaired male behaviour in tropical animals. During a 5-year study in Costa Rica, we analysed changes in the singing behaviour of male rufous-and-white wrens (Thryothorus rufalbus) when they were paired and when they were bachelors. We compared three aspects of male vocal behaviour: gross differences in song output, variation in repertoire use and differences in song structure. Males as bachelors had significantly higher song output and switched song types less frequently. Contrary to our expectation, bachelors sang significantly fewer song types from their repertoire compared to when those same males had a breeding partner. Songs sung by bachelor males were higher in syllabic diversity and had broader-bandwidth terminal syllables than the songs those males sang only when paired. Within song types, the fine structure of songs remained consistent across pairing status. Our results demonstrate that males change their singing behaviour with pairing status, delivering songs at a higher rate but with less variety when they are bachelors. Rufous-and-white wrens are renowned for their vocal duets, and we discuss the pattern of repertoire use in light of their duetting behaviour. These results enhance our understanding of how male behaviour varies with pairing status and the importance of vocal signalling behaviour in socially monogamous tropical animals.     

Changes in singing behavior of male black-capped chickadees (Parus atricapillus) following mate removal

We removed the mates of ten male black-capped chickadees (Pares atricapillus) during the nest-building period to determine the effect of female presence on dawn singing. During the first dawn chorus following mate removal, males sang significantly longer, increased movement within their territory, and increased the percentage of their territory covered while singing. After the female was returned, these parameters returned to the pre-removal values. Males did not alter the frequency range or modal frequency of their songs when the mate was removed, nor did they change the degree of frequency shifting in the fee-bee song. We conclude that dawn singing in the black-capped chickadee acts, in part, as an intersexual signal, and that the behavior of frequency shifting in the song may be directed more toward rival males than females. Correspondence to: K. Otter     

Reproductive consequences of male body mass and aggressiveness depend on females’ behavioral types

Relatively few investigations explicitly test for concordant versus conflicting selection pressures from intrasexual versus intersexual selection. Here, we examine the effects of male body mass and behavioral type (BT) on reproductive success in the spider Anelosimus studiosus, with emphasis placed on the potential interaction between intrasexual and intersexual selection influences. Female A. studiosus exhibit either an aggressive-active or docile-passive BT, both of which co-occur in multifemale colonies. Males, in contrast, exhibit a more continuous distribution of behavioral tendencies. We investigated the male traits favored by females in five trial types: one docile female, one aggressive female, four docile females, four aggressive females, and two docile and two aggressive females. Male reproductive success was estimated by the number eggs produced by females following staged mating trials. In previous work, it was established that large aggressive males are favored in male–male contests, an intrasexual effect. However, large aggressive males were not universally favored here. We failed to detect an effect of male body mass or aggressiveness on reproductive success in trials with all docile females; however, in situations involving aggressive females, large aggressive males experienced diminished reproductive success relative to small docile males. Large, aggressive males were also more likely to be attacked and killed by aggressive females in the first 20 min of staged encounters and were more likely to be found dead after 72 h of unobserved interactions. Taken together, our data suggest that the reproductive consequences of male traits differ based on (1) the aspect of sexual selection being considered (intrasexual versus intersexual) and (2) the BT of their prospective mates: large aggressive males enjoy advantages in intrasexual selection and when courting docile females and small docile males experience reduced risk of cannibalism and increased reproductive success with aggressive females.     

Territorial counter-singing in male sac-winged bats (<Emphasis Type="Italic">Saccopteryx bilineata</Emphasis>): low-frequency songs trigger a stronger response

In many animal species, individuals compete for resources but avoid escalated conflicts by threat displays, i.e. a mutual signalling behaviour that enables the opponents to predict the outcome of the conflict without the necessity of actual fighting. For example, territory holders may use acoustic signals to communicate not only their own identity and the borders of their territory but also their competitive quality, fighting ability and motivation. Here, we show that male sac-winged bats, Saccopteryx bilineata, adjust their vocal territorial displays according to the fundamental frequency of territorial songs of their opponents. In playback experiments with territorial males, low-frequency stimuli elicited a higher territorial song rate and length than high-frequency stimuli. Male S. bilineata that sing more often and with lower fundamental frequencies have been shown to sire more offspring than their competitors. Fundamental frequency of territorial songs, hence, may reveal male quality and, consequently, the resulting threat posed to competing males. We argue that this is reflected in the increased response of competitors to low-frequency territorial songs shown here. Such competitive signalling behaviour has been shown in a few mammal species like red deer and baboons but, thus far, not in bats. Electronic supplementary material  The online version of this article (doi:) contains supplementary material, which is available to authorized users.