The effectiveness of katydid (<Emphasis Type="Italic">Neoconocephalus ensiger</Emphasis>) song cessation as antipredator defence against the gleaning bat <Emphasis Type="Italic">Myotis septentrionalis</Emphasis>

Many nocturnal katydids (Orthoptera: Tettigoniidae) produce intense calling songs, and some bat species use these songs to detect and locate prey. One Nearctic katydid species, Neoconocephalus ensiger, ceases or pauses singing in response to bat echolocation calls. We tested the hypothesis that song cessation is an effective defence against gleaning bats (i.e., bats that take prey from surfaces). We observed Myotis septentrionalis, a sympatric bat species that uses prey-generated sounds when gleaning, attack and feed on singing N. ensiger in an outdoor flight room. These bats demonstrated a preference for the calling song of N. ensiger over a novel cricket calling song when they were broadcast from a speaker in the flight room. Bats attacked speakers broadcasting N. ensiger calling song as long as the song was continuous and aborted their attack if the sound stopped as they approached, regardless of whether a katydid was present as a physical target on the speaker. Echolocation calls were recorded during attacks and no significant differences were found between continuous and interrupted song approaches for four call parameters, suggesting that M. septentrionalis may not use echolocation to locate silent prey. Therefore, song cessation by katydids in response to ultrasound is an effective defence against gleaning bats.     

Reproductive strategy and singing activity: blue tit and great tit compared

The costs and benefits of bird song are likely to vary among species, and different singing patterns may reflect differences in reproductive strategies. We compared temporal patterns of singing activity in two songbird species, the blue tit (Cyanistes caeruleus) and the great tit (Parus major). The two species live side by side year round, and they have similar breeding ecology and similar rates of extra-pair paternity. However, they differ in two aspects of reproductive strategy that may have an influence on song output: blue tits are facultatively polygynous and have a fairly short breeding season with almost no second broods, whereas great tits are socially monogamous but more commonly raise second broods. We found that great tit males continued singing at high levels during the egg-laying and incubation periods, while monogamously paired blue tit males strongly reduced singing activity after the first days of egg-laying by their female. Since males of both species sang much more intensely shortly before sunrise than after sunrise, at midday or in the evening, this difference was most conspicuous at dawn. No differences in singing activity were found within species when testing for male age. We suggest that in contrast to blue tits, great tit males continued singing after egg-laying to defend the territory and to encourage the female for a possible second brood.     

Bushcricket song structure and predation by the acoustically orienting parasitoid fly Therobia leonidei (Diptera: Tachinidae: Ormiini)

Males of most bushcricket species produce acoustic advertisement signals to attract females for mating. These signals can also increase conspicuousness to predators. In the genus Poecilimon (Orthoptera: Phaneropterinae) males are attacked by the parasitoid fly Therobia leonidei (Diptera: Tachinidae: Ormiini) which locates males by their calls. In Greece T.leonidei parasitizes several Poecilimon species with different song structures: we examined whether host choice is related to song structure by comparing parasitism rates in two closely related Poecilimon species. One of these species produces monosyllabic songs, the songs of the other species being polysyllabic. The tachinid fly parasitized the polysyllabic species to a greater extent. We demonstrate in a field-experiment that this preference for the polysyllabic species does not depend on local adaptations of the fly. The most probable explanation for the preference of the fly for the polysyllabic singing species seems to be better detection of longer songs. This result is discussed in the context of male song evolution. Received: 4 November 1997 / Accepted after revision: 22 March 1998     

Song sharing in two populations of song sparrows (Melospiza melodia)

Sharing song types with immediate neighbors is widespread in birds with song repertoires, and sharing songs may confer a selective advantage in some cases. Levels of song sharing vary between different geographical populations of several bird species, and ecological differences often correlate with differences in singing behavior; in particular, males in migratory subspecies often share fewer songs than males in resident subspecies. The song sparrow (Melospiza melodia) appears to fit this pattern: resident song sparrows in western North America generally share 20–40% of their repertoire (of about eight songs) with each neighbor, while migratory subspecies from eastern North America often share 10% or less. We compared song sharing in two populations within a single subspecies of song sparrow (M. m. morphna) in Washington State. These populations, separated by only 120 km, nonetheless differ in migratory tendencies and several other ecological and life history variables. We recorded complete song repertoires from 11 male song sparrows in a high-elevation, migrating population at Gold Creek in west-central Washington, and compared them to two samples (n = 15 and n = 36) from a coastal, resident population at Discovery Park, Seattle, Washington. Despite major differences in habitat, population density, and migratory tendencies, song sharing among Gold Creek males was as high as that among Discovery Park males. In both populations, sharing was highest between immediate neighbors, and declined with distance. We conclude that at the within-subspecies level, neither migration nor population density affect song sharing in song sparrows, a song repertoire species. Received: 26 November 1998 / Received in revised form: 1 May 1999 / Accepted: 29 May 1999     

Sympatry and allopatry of song in North American tanagers

Summary The possibility that the hypotheses of character convergence and character displacement might explain interspecific variation in song features among North American tanagers is examined. Scarlet and summer tanagers (Piranga olivacea and P. rubra) are the most sympatric among the four species and have the largest differences in song characteristics. However, songs of scarlet tanagers do not differ significantly between sympatry and allopatry. Songs of summer tanagers more resemble those of scarlet tanagers in allopatry, but this geographical variation has been explained by variation in habitat characteristics. Both species countersing in sympatry, and react aggressively to each other's songs in sympatry as well as in allopatry, probably due to similarities in the song. The limited data from the narrow sympatric zone between western and hepatic tanagers (P. ludoviciana and P. flava) indicate that their songs differ to a great extent. Therefore, the results do not support the hypothesis of character convergence. Character displacement might explain partially interspecific differences in song features between scarlet and summer tanagers but cannot be tested further.     

Response of American redstarts (suborder Passeri) and least flycatchers (suborder Tyranni) to heterospecific playback: the role of song in aggressive interactions and interference competition

Least flycatchers (Empidonax minimus) and American redstarts (Setophaga ruticilla) overlap in the use of food resources on their breeding grounds, promoting high levels of interspecific aggression by the socially dominant flycatcher. We examined the role of song in this interspecific aggression by using repeated-measures-designed playback experiments and observational data on induced aggressive interactions. Flycatchers were more likely to approach the speaker during presentation of redstart song than during intervals of no song or presentation of control song. Approach was close enough to enable visual contact with a singing redstart. In contrast, redstarts made significantly fewer flights following presentation of flycatcher song, when risk of flycatcher attack may be greatest. Reducing the number of flights likely reduces the risk of flycatcher attack on the redstart, as flycatchers do not attack stationary redstart models and are apparently dependent on cues from redstart flight for visual heterospecific recognition. Flycatcher-specific responses of redstarts and marked differences in song morphology rule out misdirected intraspecific aggression as a proximate or ultimate cause of interspecific response to song. Results indicate that song is an important component in aggressive interactions between these two species, and reflect the dominant role of the flycatcher in such interactions. Our results also illustrate the capacity for interspecific interference competition to influence behavior and heterospecific song recognition in two distant avian taxa. Received: 10 January 1995/Accepted after revision: 8 June 1996     

Effects of Population Size on Singing Behavior of a Rare Duetting Songbird

Although the genetic and ecological effects of population declines in endangered species have been well studied, little is known of the social consequences. Changes in signaling behavior may result in disrupted communication and affect both reproductive and conflict‐resolution activities. The North Island Kōkako (Callaeas wilsoni) is an endangered, duetting (i.e., alternating, coordinated singing by mated pairs) songbird endemic to New Zealand temperate rain forests. Scattered populations (approximately 1500 individuals in 13 surviving and 11 translocated populations) in isolated conservation areas of different sizes have been rescued from extirpation and are currently recovering. We examined key song attributes of the Kōkako to assess whether population size or growth rate are related to song complexity, the reduction of which may compromise effective communication. We analyzed song repertoire size and phrase‐type sharing (i.e., Jaccard index of similarity), vocal performance (singing rates, song switching rates, and diversity of phrase types), and song syntactical characteristics (i.e., unpredictability in sequences of phrase types) in surviving and translocated populations (populations of approximately 19–250 territorial individuals). Population size was positively correlated with a population's song repertoire, song diversity, and switching of song phrase types and negatively correlated with shared phrase types and variation in syntactical structure of songs. Population growth rate correlated positively with pair repertoire size, population repertoire size, and singing rates during song bouts. As for solo‐singing species in fragmented landscapes, songs in the fragmented populations of Kōkako appear to be undergoing microevolution as occurs in island colonization events. Our results suggest that vocal changes in small populations could affect population establishment and growth, particularly in multiple‐source translocations. We believe measurement of vocal behavior could be used as a supplement to periodic population censuses to allow more frequent monitoring of population size. Efectos de la Conducta de Canto sobre el Tamaño Poblacional de una Ave Canora Rara     

How a songbird with a continuous singing style modulates its song when territorially challenged

In songbirds of the temperate zone, often only males sing and their songs serve to attract females and to deter territorial rivals. In many species, males vary certain aspects of their singing behavior when engaged in territorial interactions. Such variation may be an honest signal of the traits of the signaler, such as fighting strength, condition, or aggressive motivation, and may be used by receivers in decisions on whether to retreat or to escalate a fight. This has been studied intensively in species that sing discontinuously, in which songs are alternating with silent pauses. We studied contextual variation in the song of skylarks (Alauda arvensis), a songbird with a large vocal repertoire and a continuous and versatile singing style. We exposed subjects to simulated territorial intrusions by broadcasting conspecific song and recorded their vocal responses. We found that males sing differently if they are singing spontaneously with no other conspecific around than if they are territorially challenged. In this last case, males produced lower-frequency syllables. Furthermore, they increased the sound density of their song: they increased the proportion of sound within song. They seem to do so by singing different elements of their repertoire when singing reactively. Furthermore, they increased the consistency of mean peak frequency: they repeated syllable types with less variability when singing reactively. Such contextual variation suggests that skylarks might use low frequencies, sound density, and song consistency to indicate their competitive potential, and thus, those song features might be important for mutual assessment of competitive abilities.     

Behavioral evidence for eavesdropping on prey song in two Palearctic sibling bat species

Eavesdropping on prey communication signals has never before been reported for a Palearctic bat species. In this study, we investigated whether lesser and greater mouse-eared bats, Myotis blythii oxygnathus and Myotis myotis, find tettigoniid bushcrickets (Tettigoniidae) by eavesdropping on their mate-attraction song. Tettigoniids are known to be the most important prey item for M. blythii oxygnathus, while carabid beetles and other epigaeic arthropods are the most important prey for its sibling species, M. myotis, in many places in Europe. M. myotis locates walking beetles by listening for their rustling sounds. We compared these two species’ response to four acoustic prey cues: calling song of two tettigoniid species, the rustling sound made by walking carabid beetles, and a control tone. Individuals of both bat species attacked the speaker playing tettigoniid song, which clearly indicates that both species eavesdrop on prey-generated advertisement signals. There were, however, species differences in response. M. blythii oxygnathus exhibited stronger predatory responses to the calling song of two species of tettigoniid than to the beetle rustling sound or the control. M. myotis, in contrast, exhibited stronger predatory responses to the beetle rustling and to one tettigoniid species but not the other tettigoniid or the control. Our study (1) for the first time demonstrates eavesdropping on prey communication signals for Palearctic bats and (2) gives preliminary evidence for sensory niche partitioning between these two sympatric sibling bat species.     

Divergence in female calling song discrimination between sympatric and allopatric populations of the southern wood cricket Gryllus fultoni (Orthoptera: Gryllidae)

Two species of closely related wood cricket, Gryllus fultoni (Orthoptera: Gryllidae) and Gryllus vernalis, occur together in some parts of the eastern United States and have a similar calling song structure, consisting of three-pulse chirps. A previous study revealed that chirp rate in G. fultoni was highest (greatest difference vis-à-vis chirp rate in G. vernalis) in sympatric populations, intermediate in near allopatric populations that were located close to the sympatric zone, and lowest in allopatric populations. A similar trend was observed in pulse rate, but the mean values of this trait showed much more convergence than chirp rate at the low end of the range of calling temperatures. In this study, we investigated the song discrimination of females from sympatric and allopatric populations of G. fultoni at about 23°C, which is near the middle of the normal range of calling temperatures. We used both single-stimulus and two-stimulus playback experiments to learn if geographical differences in song preferences paralleled those in calling songs. Stimuli presented were representative of calling songs in three classes of G. fultoni populations (sympatric, near allopatric, and far allopatric), a calling song of G. vernalis, and three calling songs with parameter values that were intermediate with respect to those of the songs of far allopatric G. fultoni and G. vernalis. In the single-stimulus playbacks, females of all G. fultoni populations responded poorly if at all to the heterospecific stimulus. Females of sympatric and near allopatric populations responded poorly to all intermediate stimuli, but females of far allopatric populations frequently responded to these sounds. In the two-stimulus playbacks, females of sympatric and near allopatric populations generally discriminated against intermediate and heterospecific stimuli. However, females of far allopatric populations often did not discriminate against intermediate stimuli, whose characteristics resembled the calling songs of G. vernalis. The divergent pattern of female phonotactic discrimination between sympatric and far allopatric populations was thus generally congruent with the pattern of divergence in chirp and pulse rates and would be expected to significantly reduce heterospecific mating in sympatry. These geographical patterns of female song discrimination and male calling songs conform to a commonly used definition of reproductive character displacement.     

Singing performance,frequency matching and courtship success of long-tailed manakins (Chiroxiphia linearis)

We examined the relationship between song performance and courtship success in the lek-mating long-tailed manakin (Chiroxiphia linearis) of Costa Rica. Teams of male manakins form cooperative partnerships consisting of a dominant alpha male and a beta male partner with a variable number of subordinate affiliates. Each alpha and beta partnership performs a joint song virtually in unison, which attracts females to their lek arena. We quantified four aspects of song performance, including synchrony, degree of consistency in the alpha male's singing, degree of consistency in the beta male's singing, and degree of sound frequency matching between partners. When all four variables were included in a discriminant function analysis, average frequency matching alone was useful in discriminating between teams with high rates of visitation by females and those with low visitation rates. Only frequency matching was correlated with the rate at which females visited display lek arenas. We propose that the degree of frequency matching provides an unambiguous ideal against which dual-male courtship performance can be assessed. This aspect of song performance may provide information useful to females in assesing a potential mate's ability to form a cooperative long-term partnership.     

Changes in singing behavior of male black-capped chickadees (Parus atricapillus) following mate removal

We removed the mates of ten male black-capped chickadees (Pares atricapillus) during the nest-building period to determine the effect of female presence on dawn singing. During the first dawn chorus following mate removal, males sang significantly longer, increased movement within their territory, and increased the percentage of their territory covered while singing. After the female was returned, these parameters returned to the pre-removal values. Males did not alter the frequency range or modal frequency of their songs when the mate was removed, nor did they change the degree of frequency shifting in the fee-bee song. We conclude that dawn singing in the black-capped chickadee acts, in part, as an intersexual signal, and that the behavior of frequency shifting in the song may be directed more toward rival males than females. Correspondence to: K. Otter     

Temporal patterning of within-song type and between-song type variation in song repertoires

In many songbird species, males sing a repertoire of distinct song types. Song sparrows typically are described as having repertoires of about a dozen song types, but these song types are themselves quite variable and some songs are produced that appear intermediate between two types. In this study we quantify the similarity between successive songs produced by song sparrows in order to determine if differences between song types are emphasized or deemphasized in bouts of continuous singing. In spite of the high degree of variation within song types and similarity between song types observed in this species, we show that transitions from one song type to the next are distinct as compared to transitions within sequences of the same type (Figs. 4 and 5). Variation does not accumulate across sequences of the same song type, and the average variation observed within a continuous sequence of the same song type is significantly less than is predicted from the total variation recorded for that type across many different bouts (Fig. 6). These results support the view that song sparrows include two levels of variation in their singing: differences between song types as is commonly observed in species with song repertoires, and an independent level of variation observed for songs of the same type.     

Testing the ability of males and females to respond to altered songs in the dueting green lacewing, Chrysoperla plorabunda (Neuroptera: Chrysopidae)

Green lacewings in the carnea group of Chrysoperla engage in species-specific heterosexual duets using low-frequency substrate-borne signals. Within each species, both sexes sing nearly identical songs. Songs are the principal barriers to hybridization between sympatric species in the complex. Here, we investigated the responsiveness of males and females of Chrysoperla plorabunda to synthesized, prerecorded songs that differed from the species mean in the period between repeated volleys of abdominal vibration. We tested 15–16 males and 15–16 females using playbacks of two signals that gradually increased or decreased in volley period, starting at the species mean. We found that (1) duets during courtship are accurate, interactive, and adjustable by each participant; (2) in staged duets, both sexes respond best to song tempos near the mean volley period of their population, but can nonetheless maintain duets with signals of nearly twice, or half, the normal volley period; (3) individuals fine-tune their adjustments to signals of different volley periods by changing their own volley duration and latent period, or less often by inserting extra volleys or skipping every other volley; (4) males are significantly better at matching signals of changing tempo than females; and (5) the range of song responsiveness of C. plorabunda does not overlap the natural range of volley periods found in Chrysoperla adamsi, an acoustically similar sibling species, thus reaffirming strong behavioral isolation. In sum, the precise, almost unbreakable heterosexual duets characteristic of song species of the carnea group result from tight mutual feedback between partners. Effective reproductive isolation between species can be based on song differences alone.     

Bachelor and paired male rufous-and-white wrens use different singing strategies

To attract a breeding partner, males may behave differently when they are bachelors compared to when they are paired. Comparisons between groups of paired males versus groups of unpaired males in temperate-breeding animals have revealed such differences in signalling behaviour. Few studies, however, have explored how individual males alter their signalling behaviour with changes in pairing status, and very few investigations have explored paired versus unpaired male behaviour in tropical animals. During a 5-year study in Costa Rica, we analysed changes in the singing behaviour of male rufous-and-white wrens (Thryothorus rufalbus) when they were paired and when they were bachelors. We compared three aspects of male vocal behaviour: gross differences in song output, variation in repertoire use and differences in song structure. Males as bachelors had significantly higher song output and switched song types less frequently. Contrary to our expectation, bachelors sang significantly fewer song types from their repertoire compared to when those same males had a breeding partner. Songs sung by bachelor males were higher in syllabic diversity and had broader-bandwidth terminal syllables than the songs those males sang only when paired. Within song types, the fine structure of songs remained consistent across pairing status. Our results demonstrate that males change their singing behaviour with pairing status, delivering songs at a higher rate but with less variety when they are bachelors. Rufous-and-white wrens are renowned for their vocal duets, and we discuss the pattern of repertoire use in light of their duetting behaviour. These results enhance our understanding of how male behaviour varies with pairing status and the importance of vocal signalling behaviour in socially monogamous tropical animals.     

Interactions between singing Hawaiian humpback whales and conspecifics nearby

Summary Interactions of singing humpback whales, Megaptera novaeangliae, with conspecifics nearly were studied during the breeding season off the west coast of Maui, Hawaii. On 35 occasions singing humpbacks were followed by boats (Table 1). The movement patterns of these singing whales and other conspecifics nearby were recorded by observers on land using a theodolite.Thirteen of 35 singers stopped singing and joined with nonsinging whales either simultaneously or within a few minutes after ceasing to sing. Another 15 also stopped singing while under observation and were not seen to join with another whale, but all singing whales that joined with other whales stopped singing. Singing whales often pursue nonsinging whales, while nonsinging whales usually turn away from singers (Figs. 4, 5).When a singer joined with a female and calf unaccompanied by another adult, behavior tentatively associated with courtship and mating was observed (Fig. 7). Such behavior also occurred during several interactions between singers and individuals of unknown sex. Aggressive behavior was observed during three interactions between singers and individuals of unknown sex (Fig. 4) and it predominated whenever more than one adult accompanied a cow and calf. During the other occasions when a singer joined another whale, we could not determine the nature of the interaction. Many times the singers and joiner would surface together only once and would then separate. However, on several occasions the singer and joiner would remain together for as long as we could follow them, up to 1.5 h.The roles of singer and joiner can be interchangeable. For instance, on two occasions a singer joined with a whale that either had been singing or started singing later in the day (Fig. 3). Furthermore, on several occasions, a nonsinging whale appeared to displace the singer. Individual singing humpbacks are not strictly territorial, although singers appear to avoid other singers.As the breeding season progressed, singers sang for longer periods of time (Fig. 2). In addition, the probability of a whale joining with the singer decreased by 42% from the first half of the observation period to the second half. Furthermore, this increase in duration of song bouts occurred during that section of the season when female reproductive activity as measured by rate of ovulation is reported to be decreasing in other areas.Our observations support the hypothesis that humpback song plays a reproductive role similar to that of bird song. Humpbacks sing only during the breeding season. If, as seems likely, most singing humpbacks are male, then singing humpbacks probably communicate their species, sex, location, readiness to mate with females, and readiness to engage in agonistic behavior with other whales.     

Close-range acoustic signaling and mate choice in Hawaiian crickets (Gryllidae: Laupala)

Evolution of the mate recognition system (MRS) can play a central role in animal speciation. One dramatic consequence of changes in the MRS is the failure of individuals from divergent lineages to successfully court and mate, thereby reducing gene flow between these groups. Here, we test the role of an acoustic mating signal on mate choice in a Hawaiian cricket genus (Gryllidae: Laupala). Speciation in Laupala is proceeding at an extremely rapid rate, apparently driven by divergence in aspects of the mate recognition system, most conspicuously the pulse rate of male calling song. Previous studies demonstrate that females prefer the pulse rate of a conspecific male’s song when perceived at long range, in laboratory phonotaxis trials. In this study, we examined mate choice in two species that differ dramatically in pulse rate: Laupala paranigra and Laupala kohalensis. We tested the female’s preference in both species for pulse rates at close range, by providing females an opportunity to mate with hybrid males producing a range of intermediate pulse rates. Results of our study demonstrate that while strong behavioral barriers exist between these two species, variation in the pulse rate of male calling song did not predict female mate choice at close range. These results suggest a more complex architecture to mate recognition in Laupala than previously hypothesized.     

Mating behavior in three species of Pseudodiaptomus (Copepoda: Calanoida)

Quantitative studies of mating behavior between conspecific and heterospecific pairs of three closely related species in the genus Pseudodiaptomus reveal differences in the timing of life-history events, species-specific attraction of mates, distinctive tactile cues, multiple spermatophore attachments, and gametic incomptibility or hybrid inviability. These differences may function as reproductive isolating mechanisms among calanoid copepods. Differences in breeding behaviors and associated morphological features are greater between sympatric than between allopatric species, indicating that selection reinforces both behavioral and morphological divergences.     

Vocal interactions in common nightingales (<Emphasis Type="Italic">Luscinia megarhynchos</Emphasis>): males take it easy after pairing

Seasonal patterns of bird song have been studied intensively with a focus on individual males. However, little is known about seasonal patterns of singing during vocal interactions between males. Vocal interactions have been shown to be important in sexual selection as males may signal aspects of motivation or quality. Here, we investigated in nightingales (Luscinia megarhynchos) whether a male’s behaviour in vocal interactions at different stages of the breeding season is influenced by its mating status. We examined how males that differ in their subsequent mating success respond to a non-interactive, nocturnal playback presented during the period of mate attraction and subsequently during the egg-laying period. We found that mated males overlapped fewer songs and had a lower song rate during the egg-laying period compared to their responses during the mate-attraction period, whereas unpaired males did not vary in their responses between the two periods. Our results suggest that mating status is a key factor affecting singing behaviour in vocal interactions and that a time-specific singing pattern like song overlapping is used flexibly during vocal interactions. Because song overlapping is thought to be a signal of aggression in male–male vocal interactions, it seems that males vary the level of aggression in vocal interactions according to their mating status and to the stage in the breeding season.     

Vocal and visual stimuli enabling copulation behavior in female buntings

Summary The loud and elaborate songs of male songbirds are throught to serve in territorial defense and to stimulate reproductive behavior in the female. We report here that in contrast to several other species, song alone is inadequate to induce sexual (lordosis) behavior in female indigo and lazuli buntings (Passerina cyanea and P. amoena); they require a more elaborate stimulus configuration to develop the full expression of sexual receptivity as indicated by a stereotyped copulation solicitation display. A live male must be present near the female, singing must ensue, and in addition a second and unique vocal utterance must be heard by the female; this is a soft buzzy-sounding vocalization, audible for no more than a few meters, not recognized previously as a critical arousal signal of the male songbird repertoire. Females also utter similar soft sounds in an intimate vocal exchange with the male leading to solicitation of copulation.