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141.
采用多种调查技术与方法 ,对尚勇自然保护区周边地区社会经济现状进行分析。该区存在群众文化素质偏低 ,医疗卫生状况较差 ,农业生产方式落后 ,保护区管理缺乏群众参与 ,保护区管理部门与周边乡村关系不够融洽等问题。针对这些问题 ,相应地提出了社区社会经济可持续发展的一系列对策  相似文献   
142.
基于遥感影像、无人机航摄与移动核查技术,构建了集自然保护区"一张图"、图斑任务管理、移动核查为一体的天地一体化自然保护区人类活动监管系统,并以防城金花茶国家级自然保护区为例,进行试点监测监管研究。结果表明,利用监管系统可提高自然保护区监管时效性,有效解决监管盲区。对防城金花茶国家级自然保护区的人类活动进行监测评价,该保护区有工矿用地、农田、居民点、道路、其他人工设施等5类,以农田、居民点、普通道路为主,人类活动影响一般。  相似文献   
143.
甘肃兴隆山自然保护区地处青藏高原、黄土高原、蒙新高原交汇地带,区域内的植物物候变化对探索气候变化对该地区的生态影响有重要意义。本文对1951—2014年的气象数据进行了分析,结果表明:60年来,兴隆山地区的日均温呈逐年上升趋势,累积增温0.92℃,年降水量逐年下降,平均减少率为83.09 mm?(10a)~(-1)。通过对比2004—2007年和2012—2015年间两时间段内的鲜黄小檗(Berberis diaphana)等14种植物物种的开花等8种物候现象的发生时间发现,有42.86%的观测物种的物候存在显著差异,其中华北珍珠梅(Sorbaria kirilowii)、鲜黄小檗最为显著。鲜黄小檗物候期都呈推迟趋势。华北珍珠梅的春季物候期推迟,秋季物候期提前,其生长季减少率为15.49 d?a~(-1)。在保护区的植被管理实践中,应特别加强对华北珍珠梅的保育。  相似文献   
144.
在盐城国家级自然保护区内选择研究断面,进行野外监测,运用统计分析的方法,分析了盐城海滨湿土壤水分与植被的关系.结果表明:(1)自然条件下,从芦苇沼泽到米草沼泽,土壤水分呈明显的增加趋势,0~10 cm土层平均含水量从35.98%增加到46.10%;10~20 cm土层平均含水量从37.93%增加到44.80%;20~30 cm土层平均含水量从38.12%增加到46.84%.(2)人为影响下,土壤含水量在整体上表现出从陆地到海洋,先降低后增加的趋势.(3)在植被交错带,米草土壤含水量与斑块大小密切相关,随着斑块面积的增加而增加;芦苇土壤含水量与距海堤距离密切相关,对着距离的增加而增加.  相似文献   
145.
北戴河及相邻地区的鸟类种数繁多,约有409种,其中属国家一类保护鸟类的有12种,二类保护鸟类的有49种。分析其原因,一是北戴河位于中国东部候鸟迁徙的停歇地;二是生境复杂多样,环境质量优良。为保护鸟类及其生境,应制定并实施相应的地方法规和经济技术政策,建立并完善自然保护区,开展宣传教育,动员公众参与。  相似文献   
146.
The results of regression and correlation analyses of long-term data (1971–2005) on the dates of arrival of 16 bird species to the Il’men State Nature Reserve (the Southern Urals) show that they have not changed in most of these birds, unlike in many countries of Europe and North America. This is explained primarily by the absence of any significant trends in the dynamics of spring air temperatures in the study region. Only the herring gull Larus argentatus and the lapwing Vanellus vanellus have shown a significant tendency to arrive earlier, while the garganey Anas querquedula has shown a tendency to arrive on later dates in the past two decades. Nevertheless, interannual fluctuations in the dates of arrival are well manifested in both early arriving species wintering in Europe and late-arriving species wintering in Africa. These fluctuations largely depend on temperature conditions in spring. As a rule, almost all species studied—from waterbirds to passerines—appear in the Il’men Reserve earlier in years with early and warm springs than in cold years. Hence, spring weather is the key factor determining the dates of arrival of migratory birds to the study region.  相似文献   
147.
This essay examines the potential of Heidegger's phenomenology as a foundation for environmental communication theory, emphasizing his critiques of modern science, technology, humanism, and metaphysics. A phenomenological approach to environmental communication provides resources for recognizing metaphysical assumptions that endanger both humans and nature. The Hanford nuclear reservation serves as an illustrative text, exemplifying Heidegger's reading of nuclear energy as a culmination of both Western metaphysics and the instrumental stance that he calls “enframing.” In Heidegger's view, the ordering and control accomplished through enframing obscures the mutually constitutive relationship between humans and nature, and in doing so, diminishes the possibilities for authentic human existence. The chapter examines how both representational and constitutive models of communication contribute to those conditions, and adopts a set of concepts from Heidegger's phenomenology as a foundation for an alternative, “bounded constitutive” model.  相似文献   
148.
Cape Farewell is the brainchild of London-based artist David Buckland. The project is centered round a series of sailing voyages into the Arctic, through routes that were previously icebound but are now passable. The expeditions take teams of world-renowned artists, educators, writers, musicians and thinkers into the Arctic, onboard a hundred-year old schooner, with the invitation to engage with scientists (from the National Oceanography Centre, as well as Southampton), to make art, and to draw people's attention to the effects of ocean currents on us and our climate. Since its first expedition in 2003, the project has grown to include educational programs, an award-winning website, a BBC documentary, and an exhibit, “The Ship, The Art of Climate Change,” developed with the Natural History Museum and which has embarked on a worldwide tour. In August 2007, Cape Farewell began a three-year residency at Southbank Centre, operating as a cultural eco-hub for the Centre's creative climate change initiatives, and has started a collaboration with the Eden Project in Cornwall, UK.

This interview was conducted in the Cape Farewell offices, which are in David Buckland's studio atop his family home in Camden, London. Currently, Renée Lertzman is conducting a PhD in critical psychology studies at Cardiff University in Wales, UK. Her interviews and writings relating to environmental communication have appeared in The Sun Magazine, Orion, Land and People (Trust for Public Land), Speak Magazine, Terra Nova, and Organization & Environment. Lertzman can be contacted at http://www.reneelertzman.org. For more information about Cape Farewell, visit http://capefarewell.com.  相似文献   
149.
Two collections of essays that originated from the 2000 conference, “Between Nature,” held in Lancaster, England are reviewed. Themes of “process vs. object” and “performance of/for activists” are tracked across several of the essays. These essays provide important insights to how performance as concept and as practice are used by theorists and performers alike to reimagine human relationships in and with the human and non-human world.  相似文献   
150.
Scholars of environmental communication acknowledge the importance of visual representations in shaping perceptions and actions in relation to environmental affairs. Unlike with other media, including newspapers, television and film, research on the visualization of nature and environmental issues in magazines is rare. This study focuses on the covers of Time magazine, one of the world's most influential news weeklies. A dataset that includes all relevant covers from 1923 to 2011 is examined using a combination of quantitative and qualitative content analysis to analyze the visual representation of nature and environmental issues. The results show that the presence of environmental issues and nature on the covers has increased over the decades. Furthermore, Time takes an advocacy position on some environmental issues, but it is a shallow one that is weakly argued through less-than-engaging imagery and fails to offer much in the way of solutions or agency to the reader.  相似文献   
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