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During 28-29,September 2005,water was drawn from Hanjiang River and Houguan Lake to the Yangzi River via Sanjiao Lake and Nantaizi Lake in Wuhan in order to provide favorable conditions for ecosystem restoration.To evaluate the feasibility and validity of drawing water as a means of ecosystem restoration,zooplankton populations were studied 3 times (before,immediately after finishing and a month after drawing water)at seven locations from 27 Sept.2005 to 2 Nov.2005.Water quality in the lakes was mostly improved and zooplankton species richness decreased as soon as drawing water had finished but increased a month after drawing water.Zooplankton density and biomass was reduced in the lakes by drawing water but was increased at the entrance to Sanjiao Lake because of landform geometry change.Before drawing water,most species in Sanjiao lake e.g.,Brachionus sp.and Keratella sp.were tolerant of contamination.After drawing water oligotrophic-prone species such as Lecane ludwigii and Gastropus stylifer emerged.We conclude that drawing water could be important for improving water quality and favour ecosystem restoration.Dilution of nutrient concentrations may be an important role in the effect. 相似文献
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David E. Alexander 《Environmental Hazards》2016,15(3):209-226
This paper surveys the depiction of disaster in Western art over the centuries. Emphasis is placed on the Italian tradition, as Italy is a country that has a rich experience of both artistic developments and disasters and has provided inspiration to artists from other countries. The survey begins with Classical art and continues with the Mediaeval fresco tradition. The vision of disaster was expanded when naturalism was introduced into art during the Renaissance. Whereas earthquakes had been a prime motivation for artistic representations in the Mediaeval period, during the Baroque volcanic eruptions seem to have been more popular, especially given the remarkable artistic output around Mount Vesuvius in the 18th century. Marine painters concentrated on storm and shipwreck, but often with delineations of extreme atmospheric phenomena. In the 19th century John Martin and others painted the Apocalypse. In the 20th century, Expressionism favoured lively depictions of natural hazards and so, surprisingly, did certain forms of metaphysical abstraction. Disaster has been seen in Western fine art in six ways: as spectacle, as allegory (through Classical mythology or Biblical drama), as a votive instrument of atonement, as a visual commemoration of an extreme event, and as a dramatization of a metaphysical proposition. 相似文献
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此文在分析拉深件零件特点的基础上,对其特征的信息构成进行了研究。采用成组技术,提出了一种特征编码的信息表达方式。该方式不仅可以方便地实现零件的自动工艺设计,而且还可实现零件的成组工艺、模具的成组设计,从而缩短产品的生产周期,降低成本。 相似文献
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提出了一种基于AutoCAD软件的确定复杂形状旋转体拉深毛坯直径的计算机方法,它操作严谨、结果准确,比原有的3种方法简捷、快速,具有良好的推广应用价值。 相似文献
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盒形件多点常力压边拉深模设计 总被引:1,自引:0,他引:1
对盒形件拉深成形 ,提出了在周向多个位置施加压边力的方法 ,且根据常力压边原理 ,用弹簧和橡胶作弹性元件 ,可根据需要在不同位置施加不同的压边力 ,且每个位置的压边力在拉深过程中保持定值。以此设计的模具所提供的压边力 ,更适合复杂零件的成形 ,也更符合拉深工艺对压边力的要求 相似文献
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通过对板料拉深法兰变形区和直壁传力区的应力分析 ,应用功平衡法 ,推导了极限拉深系数与摩擦系数之间的关系式 ,并讨论了摩擦对拉深性能的影响。 相似文献