火灾事故时人员避灾策略的研究进展

对火灾事故时人员避灾策略的研究进展进行了评述,介绍了火灾探测技术、火灾中人员进灾的一般行为模式、火灾时最佳避灾路线的选择以及火灾时系统的控制决策等领域的研究现状,并对火灾事故时人员避灾策略的未来发展进行了展望。     

汶川地震后幸存人员心理危机干预方法研究

选取汶川地震中的伤员和陪护家属各40人作为干预对象,采用心理治疗中的心理危机干预方法,对干预对象进行心理危机干预。干预过程分为3个阶段,分别是以构建良性关系为目的的初始阶段、以治疗为核心的干预和稳定阶段、以评估干预效果为目的的评估阶段。干预评估结果显示,心理危机干预前后,伤员和陪护家属评估结果存在显著差异（P<0.001）;与语言方法相比,该研究方法进行心理危机干预后,各量表得分显著下降,症状自评量表各评估方向得分显著低于语言方法的量表得分,前、后侧得分间差异存在统计学意义,说明该方法心理危机干预对震后人员恢复,效果较好。     

The portrayal of disaster in Western fine art

This paper surveys the depiction of disaster in Western art over the centuries. Emphasis is placed on the Italian tradition, as Italy is a country that has a rich experience of both artistic developments and disasters and has provided inspiration to artists from other countries. The survey begins with Classical art and continues with the Mediaeval fresco tradition. The vision of disaster was expanded when naturalism was introduced into art during the Renaissance. Whereas earthquakes had been a prime motivation for artistic representations in the Mediaeval period, during the Baroque volcanic eruptions seem to have been more popular, especially given the remarkable artistic output around Mount Vesuvius in the 18th century. Marine painters concentrated on storm and shipwreck, but often with delineations of extreme atmospheric phenomena. In the 19th century John Martin and others painted the Apocalypse. In the 20th century, Expressionism favoured lively depictions of natural hazards and so, surprisingly, did certain forms of metaphysical abstraction. Disaster has been seen in Western fine art in six ways: as spectacle, as allegory (through Classical mythology or Biblical drama), as a votive instrument of atonement, as a visual commemoration of an extreme event, and as a dramatization of a metaphysical proposition.     

Communal visual histories to detect environmental change in northern areas: Examples of emerging North American and Eurasian practices

This article explores the pioneering potential of communal visual-optic histories which are recorded, painted, documented, or otherwise expressed. These materials provide collective meanings of an image or visual material within a specific cultural group. They potentially provide a new method for monitoring and documenting changes to ecosystem health and species distribution, which can effectively inform society and decision makers of Arctic change. These visual histories can be positioned in a continuum that extends from rock art to digital photography. They find their expressions in forms ranging from images to the oral recording of knowledge and operate on a given cultural context. For monitoring efforts in the changing boreal zone and Arctic, a respectful engagement with visual histories can reveal emerging aspects of change. The examples from North America and case studies from Eurasia in this article include Inuit sea ice observations, Yu’pik visual traditions of masks, fish die-offs in a sub-boreal catchment area, permafrost melt in the Siberian tundra and early, first detection of a scarabaeid beetle outbreak, a Southern species in the Skolt Sámi area. The pros and cons of using these histories and their reliability are reviewed.     

美术颜料废水治理技术

针对美术颜料生产过程中产生的废水特点，通过实验研究，有针对性地开发出美术颜料废水治理技术，并在示范工程中得到应用，进一步验证了此项技术的可行性。     

City Environment Art and Sustainable Development

The development of everthing follows its own law, which does not change at people’s own sweet will. Therefore, we must study the development of things so as to grasp the essence of things in their deep meanings, explore the direction of their de- velopment, and make them better serve the people. As a part of the thought of sustainable development, city environment art will be of active significance to the perfection of the thought and will also be the concrete embodiment of the synthetic index of economic development. Such a thesis, starting from the macroscopic angle, and relying on the leading thought of sustainable development, takes hold of the development trend of city environment art, and explores the various problems that have arisen in city environment in the process of city management by combining thoughts on city planning, so as to guide urban harmonious development theoretically. The present paper expounds on the views comprehensively and, through the synthetic analysis on city planning, city environment, art esthetics and the thought of sustainable development, makes a detailed analysis of the effects of the present rapid city development on city environment.     

A regulatory view on science and predictive models

A lot of scientific knowledge is required to carry out and enforce environmental regulations. The paper deals with the relationship between law and science from a legal perspective. First, some difficulties in using science to carry out environmental regulations are outlined. After this, some legal concepts which try to cope with the problems are presented. Aspects discussed are the precautionary principle, the legal concept of 'state of the art', general standard setting, the flexibility of the regulations, and procedural regulations for the standard-setting process. Finally, the new challenge for science that derives from the legal demand of an integrated approach to environmental protection is addressed.     

论现代工艺设计制作中的环保意识

现代工艺设计不是单纯解决人类物质享受的问题,还必须顾及到人类赖以生存的基础,--自然环境.经济的发展,也给人类赖以生存的环境造成严重的破坏,保护环境,提高人类生存质量,树立环保意识就成为现代工艺的主题.     

浅论大学生的艺术修养

论述了艺术修养对提高当代大学生综合素质的重要作用,提出了通过课堂艺术教育与社会教育活动实现艺术修养的途径.     

论水生观赏植物的造景艺术

水生观赏植物是水体绿化、美化和净化不可缺少的材料,也是园林水景的主要构景要素.在园林水景中,利用水生观赏植物洒脱的姿形、优美的线条、绚丽的色彩及水生观赏植物的生态作用、水生观赏植物的意境美,通过艺术构图和造景手法,创作出一幅幅具有诗情画意、环境优雅的园林景观.从水生观赏植物造景概述、环境因子与水生植物的景观效果及水生观赏植物的造景艺术与手法,论述水生观赏植物的造景功能及其在园林中的应用.