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Melissa Hughes Stephen Nowicki William A. Searcy Susan Peters 《Behavioral ecology and sociobiology》1998,42(6):437-446
One hypothesis for the function of song repertoires is that males learn multiple song types so that they may share songs
with neighbors, allowing them to match during territorial interactions. In at least one song sparrow population, in Washington,
territorial males share a high proportion of song types with their neighbors and use these shared songs in matching. We recorded
song sparrows in Pennsylvania and quantified sharing of whole songs and song segments. We found that song sharing is an order
of magnitude less common in the Pennsylvania population. We found sharing of song segments to be significantly more common
than the sharing of whole songs in three of the five fields we examined, while we found no significant differences between
whole and partial song sharing in the remaining two fields. Finally, we found no evidence that sharing is greater between
birds in the same field compared to birds in different fields. Taken with the data from Washington song sparrows, these results
provide evidence for intraspecific geographic variation in the organization of song repertoires, and suggest that song sharing
has not been a strong selective force in the evolution of song repertoires in song sparrows as a species. Furthermore, Washington
and Pennsylvania song sparrows differ in how they learn song, in that Washington birds copy whole songs, while Pennsylvania
birds appear to copy and recombine song segments, as has been found in laboratory studies of song learning. Thus both song
learning and the function of song repertoires differ between populations of song sparrows. Such intraspecific geographic variation
offers a unique opportunity to explore the ecological and historical factors which have influenced the evolution of song.
Received: 30 June 1997 / Accepted after revision: 8 March 1998 相似文献
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We examined recognition of individual neighbors in hooded warblers (Wilsonia citrina) and Kentucky warblers (Oporornis formosus) by comparing responses to playbacks of neighbors' songs from appropriate and inappropriate boundaries of the subjects' territories. Kentucky warblers, which sing one song type each, responded more strongly to the songs of neighbors broadcast from incorrect than from correct boundaries. Hooded warblers use their repertoires of three to nine song types in two distinct modes of singing: repeat mode involves repeated presentation of one song type; mixed mode involves presentation of two or more song types in irregular sequence. Playbacks of neighbors' mixed-mode songs from appropriate and inappropriate boundaries indicated capabilities of individual recognition similar to those reported previously for repeat-mode songs (Godard 1991) and to those of Kentucky warblers. Repertoires of moderate size, therefore, have no pronounced influence on eventual recognition of individual neighbors in hooded warblers. 相似文献
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Stephen Nowicki Jeffrey Podos Frances Valdés 《Behavioral ecology and sociobiology》1994,34(5):329-335
In many songbird species, males sing a repertoire of distinct song types. Song sparrows typically are described as having repertoires of about a dozen song types, but these song types are themselves quite variable and some songs are produced that appear intermediate between two types. In this study we quantify the similarity between successive songs produced by song sparrows in order to determine if differences between song types are emphasized or deemphasized in bouts of continuous singing. In spite of the high degree of variation within song types and similarity between song types observed in this species, we show that transitions from one song type to the next are distinct as compared to transitions within sequences of the same type (Figs. 4 and 5). Variation does not accumulate across sequences of the same song type, and the average variation observed within a continuous sequence of the same song type is significantly less than is predicted from the total variation recorded for that type across many different bouts (Fig. 6). These results support the view that song sparrows include two levels of variation in their singing: differences between song types as is commonly observed in species with song repertoires, and an independent level of variation observed for songs of the same type. 相似文献
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